Māni Mādhava Chākyār
| Māṇi Mādhava Chākyār | |
|---|---|
Nātyāchārya Vidūshakaratnam
Māṇi Mādhava Chākyār – The Doyen of Kūtiyāttam and Abhinaya |
|
| Native name | മാണി മാധവ ചാക്ക്യാർ |
| Born |
Māni Mādhava Chākyār 15 February 1899 Kozhikode, British India (present-day Kerala, India) |
| Died | 14 January 1990 (aged 90) Ottappalam, Kerala, India |
| Years active | 1910–1990 |
| Spouse(s) | Smt. P.K Kunjimalu Nangiaramma |
| Awards | 1964: Sangeet Natak Akademi Award 1964: Paderewski Foundation (New York) Certificate of Merit 1974: Padma Shri 1975: Kerala Sahitya Academy Award 1976: Kerala Sangeet Natak Academy Fellowship 1982: Sangeet Natak Akademi Fellowship 1982: Govt. of India Emeritus Fellowship 1982: Kalidasa Academy Fellowship 1983: Kerala Kalamandalam Fellowship 1987: Tulsi Samman 1991: Guruvayoorappan Sammanam |
Guru Mani Madhava Chakyar (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, South India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of Abhinaya (the classical Indian acting style) and Nātyaśāstra.
Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform Rasa-Abhinaya. His Netrābhinaya was world famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the prabandhas used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of Nātyaśāstra of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowledge and mastery over both theory and practice of Koodiyattam were superb. He was a veteran teacher and practitioner of these art forms and Sanskrit.
He was the first one to take Koodiyattam and Chakyar Koothu outside the precincts of the temples of Kerala to all over India and to impart training in Kudiyattam to non-Chakyar disciples including foreigners. He had produced many disciples in Kutiyattam and other classical arts like Kathakali. He was a Sanskrit scholar and was used to give lectures and talks in Sanskrit.
He is the author of Nātyakalpadrumam – an encyclopaedic treatise on all aspects of Koodiyattam. He was a Fellow of national art academies including Sangeet Natak Akademi and recipient of coveted titles like "Nātyāchārya", "Vidūshakaratnam" and awards including Padma Shri and Sangeet Natak Akademi Award.
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