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Lucinda Williams (album)

Lucinda Williams
Lucinda williams cover.jpg
Studio album by Lucinda Williams
Released 1988
Recorded June 1988
Studio Mad Dog Studios in Venice
Genre Alternative country, roots rock, Americana, blues
Length 38:35
Label Rough Trade
Producer Gurf Morlix, Dusty Wakeman, Lucinda Williams
Lucinda Williams chronology
Happy Woman Blues
(1980)
Lucinda Williams
(1988)
Sweet Old World
(1992)
Professional ratings
Review scores
Source Rating
AllMusic 4.5/5 stars
American Songwriter 5/5 stars
The Austin Chronicle 5/5 stars
Chicago Tribune 4/4 stars
The Guardian 4/5 stars
Mojo 5/5 stars
PopMatters 9/10
Rolling Stone 4/5 stars
The Rolling Stone Album Guide 4.5/5 stars
The Village Voice A–

Lucinda Williams is the third studio album by American singer-songwriter Lucinda Williams. It was produced by Williams with Dusty Wakeman and Gurf Morlix, and released in 1988 by Rough Trade Records. An alternative country and roots rock record about the complexities of romantic relationships, Lucinda Williams was met with critical acclaim upon its release and has since been viewed as a leading work in the development of the Americana movement.

Before Williams was signed by Rough Trade Records, she had struggled shopping her demo of the album: "The L.A. people said, 'It's too country for rock.' The Nashville people said, 'It's too rock for country.'" Rough Trade founder Geoff Travis said of signing Williams in 1987, "We were big fans of the Southern literary tradition. We recognized that Lucinda was writing serious songs, but with the wit and humor of real rock'n'roll."

According to Spin magazine's Keith Harris, Lucinda Williams has since been classified as alternative country, while NPR's Claudia Marshall called it a roots rock record that fuses country, blues, folk, and rock music. With its synthesis of folk, rock, country blues, and Cajun music, Uncut magazine said it may be seen as one of the earliest records in the alternative country scene.Robert Christgau, writing in The Village Voice, called it a blues record and remarked that Williams plays "joyously uncountrypolitan blues".Greg Kot wrote in the Chicago Tribune, "like the music, which drifts between the lonesome worlds of country and blues, the lyrics can't be pinned down: They speak of the ambivalence that shades love and loss."


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Wikipedia

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