Luciano Fabro | |
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Born | November 20, 1936 Turin, Italy |
Died | June 22, 2007 (aged 71) Milan, Italy |
Nationality | Italian |
Known for | Sculpture, Literature |
Movement | Arte Povera |
Luciano Fabro (November 20, 1936 – June 22, 2007) was an Italian sculptor, conceptual artist and writer associated with the Arte Povera movement.
Fabro was born in Turin, and he moved to Udine, in the Friuli region after his father’s death. He was influenced by artists such as Yves Klein, and Lucio Fontana; he was also close to the artists involved in Azimut, such as Piero Manzoni and Enrico Castellani. In 1958, after he saw Lucio Fontana’s work at Venice Biennale, Fabro moved to Milan where he spent the rest of his life pursuing his artistic career.
Fabro was involved in the Arte Povera group, which was interested in experimenting with industrial and natural materials, focusing on process, language and the body. Fabro's best known works were sculptural reliefs of Italy made out of glass, steel, bronze, gold and even soft leather. The signature unorthodox, ‘poor’ materials in his works include steel tubes, cloth, newspapers, and wax; the artist, however, often used also traditional and expensive art materials such as gold, marble, and bronze.
He died on 22 June 2007 in Milan following a heart attack.
One of Fabro’s first pieces was called Tubo da mettere tra i fiori (Tube to place among flowers), 1963. It was a site-specific installation designed for a Milanese garden, even if it was never displayed there; it was made of telescopic steel tubes. He made several works that deals with steel tubes in dialogue with basic physical laws of nature. In 1965(Milan, Galleria Vismara), he had his first solo show where he combined mirror pieces with spatial lines. Since 1966, he began to make performative works such as Indumenti: posaseni, calzari, bandoliera (Garments: bra, boots, cross-belt), 1966; Allestimento Teatrale( Cube di specchi) Theatrical Staging( Cube of Mirrors), 1967-1975; and Pavimento/Tautologia (Floor/ Tautology), 1967.