Love Me or Leave Me (Doris Day album)
| Love Me or Leave Me | ||||
|---|---|---|---|---|
_cover.jpg) |
||||
| Soundtrack album by Doris Day | ||||
| Released | May 2, 1955 | |||
| Genre | Pop | |||
| Label | Columbia | |||
| Doris Day chronology | ||||
|
||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |
  link
|
Love Me or Leave Me is a Doris Day album based on the soundtrack of the film of the same name. It was released monaurally by Columbia Records as catalog number CL-710 on May 2, 1955, in both LP as well as 45-EP formats and became her best-selling album to date, spending 28 weeks on the Billboard magazine album chart and reaching the #1 position. The best-selling album of Day's career, it ranks #16 of all albums produced between 1955 and 1996.
For the 1963 re-release of the picture and subsequent re-release of the record, instead of going back to the actual soundtrack recordings recorded in Hollywood specifically for the film and remixing for Stereo, producers took the original monaural New York session tapes and electronically synthesized a stereo signal. Thirty years later, producers finally went back to the original pre-recorded and post-recorded music stems and remixed for true stereo from sources that will lock to picture.
For the 1993 CD, in the opening track, the vocal starts out in one channel exclusively and then rapidly pans to the center where it remains throughout the rest of the stereo material on the album, which includes as a bonus, several of the original monaural New York session masters featuring different arrangements.
Like most so-called "soundtrack" albums of the period, the tracks featured hereon are in most cases not the exact performances recorded for the film, and which lock to picture. In this type of scenario, often arrangements will differ from the slight to the great compared to the film performance, and the key and/or tempo may be adjusted up or down accordingly as well for a greater impact on records.
Even though the audio portion of a great many film performances would have been recorded at Hollywood-based sessions as the technical requirements were many, the companion performances intended for release on records is often recorded in New York, where the best studios for records are often found and for which the technical requirements are considerably fewer than for film.
Recording dates listed in this section refer to the performances recorded stereophonically in Hollywood in mid-to-late 1954 and included in remixed stereo versions on the 40th anniversary CD listed below. With three exceptions indicated with *, these performances are not included on this release. The performances included here were recorded monaurally in New York in the late Winter and early Spring of 1955 from which an electronic stereo LP was engineered seven years later.
...
Wikipedia