Lolita: Vibrator Torture | |
---|---|
Theatrical poster for Lolita: Vibrator Torture (1987)
|
|
Directed by | Hisayasu Satō |
Written by | Shirō Yumeno |
Starring | Sayaka Kimura Kiyomi Itō |
Music by | Sō Hayakawa |
Cinematography | Toshihiko Ryū |
Edited by | Shōji Sakai |
Distributed by | Shishi Productions Nikkatsu |
Release date
|
September 19, 1987 |
Running time
|
63 minutes |
Country | Japan |
Language | Japanese |
Lolita: Vibrator Torture (ロリータ・バイブ責め Roriita: Baibu Zeme) is a 1987 Japanese pink film directed by Hisayasu Satō. It was produced by producer-director Kan Mukai's Shishi Productions. It was released by Nikkatsu and shown as the third feature of a triple-bill with two films in their Roman Porno series. The film includes the first screen role for Takeshi Itō, who would go on to be one of the most popular pink film actors of his era. Takeshi Itō won the first Best Actor award at the Pink Grand Prix for his performance in Toshiya Ueno's Keep on Masturbating: Non-Stop Pleasure, and lead actress of Lolita: Vibrator Torture, Kiyomi Itō was awarded Best Actress at the same ceremony for Hisayasu Satō's Dirty Wife Getting Wet.
A man captures schoolgirls and takes them to an abandoned freight container in Shinjuku which he has decorated with enlarged black & white images of the faces of his previous victims. He smears the captive girls with paint and shaving cream, rapes, tortures and brutally murders them.
Allmovie, noting the film's "strong graphic visuals" judges Lolita: Vibrator Torture to be "[o]ne of Sato's most repellent and excessive pinku-eiga films." In reference to genre, the review concludes that "[t]he focus here is on sadism and gore rather than erotica." In their Japanese Cinema Encyclopedia: The Sex Films the Weissers confirm that this "is usually cited as Sato's most grotesque film."
Jasper Sharp writes that Lolita: Vibrator Torture "does for the marital aid what Tobe Hooper did for the chainsaw." He uses the film as an example of Satō's use of the distorting ability of the camera, pointing out the "stroboscopic intensity" that the flashing stills camera adds to the disturbing imagery of the film.