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Live In Hollywood (RBD album)

Live in Hollywood
RBD Live In Hollywood.jpg
Live album by RBD
Released April 4, 2006
Recorded January 21, 2006
Venue Pantages Theatre, Los Angeles, California
Genre Latin pop
Length 62:44 (Mexican version)
57:46 (US edition)
53:58 (Brazilian edition)
Label EMI
Producer Camilo Lara, Luis Luisillo Miguel, Pedro Damián (executive)
RBD chronology
Rebelde (Edição Brasil)
(2005)
Live in Hollywood
(2006)
Nosso Amor Rebelde
(2006)
Singles from Live in Hollywood
  1. "No Pares"
    Released: April 19, 2006
Professional ratings
Review scores
Source Rating
Allmusic 1.5/5 stars

Live in Hollywood is the second live album by Mexican pop band RBD, released on April 4, 2006 in the United States and Mexico. Live in Hollywood was recorded on RBD's first concert in Los Angeles, California on January 21, 2006 at the Pantages Theatre, as part of the group's 'Tour Generación 2006' world tour. The live album was accompanied by the same-day release of a live concert DVD, also titled Live in Hollywood. The acoustic music that appears on the album was recorded live, though in a way posing a different style to the group's previous Tour Generación RBD En Vivo.

On April 19, 2006, the first single off the album was released, a new song titled "No Pares", which was sung solely by Dulce María. The song proved to be a total success on Mexican radio. The song was written by former Mexican pop star Lynda Thomas and producer Carlos Lara.

The day in which the album was recorded, we arrived the day before and I was told "you're going to sing this song... they're going to play it with a guitar and you're going to sing it" ...basically it has a message that people should not stop dreaming... and you always have to fight, that's the message of the song.

The live album was recorded on January 21, 2006 at the show performed in the Pantages Theatre in Los Angeles, California, which was part of RBD's second concert tour, titled 'Tour Generación 2006' or 'Nuestro Amor Tour'. The concert was the first the band performed in the United States. The show itself had a visually colorful and acoustic style, even counting with the support of a gospel choir.


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