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Live Evil (Black Sabbath album)

Live Evil
BlackSabbath-LiveEvil-Front.jpg
Live album by Black Sabbath
Released December 1982
Recorded 23–24 April, 12–13 May 1982 in Seattle, Dallas and San Antonio
Genre Heavy metal
Length 83:27
Label Vertigo
Warner Bros. (US/Canada)
Producer Tony Iommi and Geezer Butler
Black Sabbath live albums chronology
Live at Last
(1980)
Live Evil
(1982)
Cross Purposes Live
(1995)
Ronnie James Dio chronology
Mob Rules
(1981)
Live Evil
(1982)
Holy Diver
(1983)
Professional ratings
Review scores
Source Rating
Allmusic 2/5 stars
Blender 3/5 stars

Live Evil is the first official live album by British heavy metal band Black Sabbath. The previously released Live at Last (1980) was not sanctioned by the band. Live Evil peaked at number 37 on the Billboard Pop Albums chart.

The Live Evil album was recorded on the Mob Rules tour. The sleeve states that the songs were recorded in Seattle, San Antonio and Dallas during the 1982 tour in support of the Mob Rules album, but doesn't give the venues or recording dates for the individual tracks. In his autobiography Iron Man: My Journey Through Heaven & Hell with Black Sabbath, guitarist Tony Iommi recalls that the band's live show during this period featured "lots of pyro with fire and bombs" and that while playing the Hammersmith Odeon the bombs had been tested and "blew a two-foot-wide hole in the floor on my side. If I'd been there, I would have been blown up. Christ, it was dangerous." Iommi also admits that the band had to cancel a show at Madison Square Garden when the bombs blew out the tubes in all the amps during the first note of the first song "War Pigs". In the liner notes to the 2008 retrospective The Rules of Hell, vocalist Ronnie James Dio remembers, "It was an excellent tour. I think we were probably riding quite high on the Heaven and Hell success, and so we ended up playing really, really well. Even towards the end the shows were still great." However, tension had been building for some time between the band members, with Steffan Chirazi observing in 2008 that the story behind the creation of Live Evil is one of "quiet yet savagely visceral turmoil and a band collapsing under their weight of silence, unspoken accusation, and an unforgiving schedule."

Dio and drummer Vinny Appice abruptly left the group during the mixing of Live Evil. "Ronnie had started to take over a little bit too much and was becoming a bit of a Hitler," Iommi explained to Steve Gett of Guitar for the Practicing Musician. "We were working on the Live Evil record in Los Angeles, and in fact we nicknamed him 'Little Hitler.'" In 2011, Iommi was less harsh in his memoir: "By then Ronnie did come over a little more...I suppose, bossy. The way he conducted himself, the way he talked, it might have given that impression to the outside world, but he usually didn't mean anything by it. Ronnie was just very outspoken." Iommi also contends that he and bassist Geezer Butler were unhappy that Dio was already rehearsing with his own band for a solo album that Warner Brothers had offered him. Dio and Appice bolted after the album's engineer told Iommi that Dio had been sneaking into the studio at night to adjust the mix. Dio steadfastly denied that this ever occurred and accused Iommi and Butler of fabricating the story. Iommi later laid the blame on the engineer. On the Neon Nights: 30 Years of Heaven and Hell DVD, both Dio and Appice claim that the mixing sessions were scheduled to start in the early afternoon but on the third day Iommi and Butler didn't show up until much later, and this ongoing schedule exacerbated the already apparent rift between the new and original band members until the singer was asked to leave. In the same interview series, Butler described the Live Evil mixing sessions as "the Yanks against the Brits," adding, "I think Ronnie seemed to desperately want to do his own stuff and we sort of wanted to keep it going as it was." In the liner notes to The Rules of Hell, Appice states, "I knew things were coming to a close from some of the things that were happening on the road. Ronnie and I would ride in one car, Geezer and Tony in another car, and everybody was breaking away from each other a little bit."


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