Lewis Baltz
| Lewis Baltz | |
|---|---|
Lewis Baltz in Jean Nouvel's Amat hotel.
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| Born |
September 12, 1945 Newport Beach, California |
| Died | November 22, 2014 (aged 69) Paris, France |
| Education |
San Francisco Art Institute Claremont Graduate School |
| Occupation | Artist |
| Known for | New Topography |
Lewis Baltz (September 12, 1945 – November 22, 2014) was a visual artist and photographer who became an important figure in the New Topographics movement of the late 1970s. His work has been published in a number of books, presented in numerous exhibitions, and appeared in museums such as the Museum of Modern Art, Paris, Museum of Contemporary Art, Helsinki, San Francisco Museum of Modern Art and The Whitney Museum of American Art, New York. He wrote for many journals, and contributed regularly to L'Architecture d'Aujourd'hui.
Born in Newport Beach, California, Baltz graduated with a BFA in Fine Arts from San Francisco Art Institute in 1969 and held a Master of Fine Arts degree from Claremont Graduate School. He received several scholarships and awards including a scholarship from the National Endowment For the Arts (1973, 1977), the John Simon Guggenheim Memorial Fellowship (1977), US-UK Bicentennial Exchange Fellowship (1980) and Charles Brett Memorial Award (1991). In 2002 Baltz became a Professor for Photography at the European Graduate School in Saas-Fee, Switzerland. He lived his last years between Paris and Venice.
His work is focused on searching for beauty in desolation and destruction. Baltz's images describe the architecture of the human landscape: offices, factories and parking lots. His pictures are the reflection of control, power, and influenced by and over human beings. His minimalistic photographs in the trilogy Ronde de Nuit, Docile Bodies, and Politics of Bacteria, picture the void of the other. In 1974 he captured the anonymity and the relationships between inhabitation, settlement and anonymity in The New Industrial Parks near Irvine, California (1974).
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