Les Rougon-Macquart
First page of La Fortune des Rougon, the first book of the series
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20 books, see this list
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| Author | Émile Zola |
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| Country | France |
| Language | French |
| Genre | Naturalism |
| Published | 1871–1893 |
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Les Rougon-Macquart is the collective title given to a cycle of twenty novels by French writer Émile Zola. Subtitled Histoire naturelle et sociale d'une famille sous le Second Empire (Natural and social history of a family under the Second Empire), it follows the lives of the members of the two titular branches of a fictional family living during the Second French Empire (1852–1870) and is one of the most prominent works of the French naturalism literary movement.
Early in his life, Zola discovered the work of Honoré de Balzac and his famous cycle La Comédie humaine. This had a profound impact on Zola, who decided to write his own, unique cycle. However, in 1869, he explained in Différences entre Balzac et moi, why he would not make the same kind of book as Balzac:
In one word, his work wants to be the mirror of the contemporary society. My work, mine, will be something else entirely. The scope will be narrower. I don't want to describe the contemporary society, but a single family, showing how the race is modified by the environment. (...) My big task is to be strictly naturalist, strictly physiologist.
As a naturalist writer, Zola was highly interested by science and especially the problem of heredity and evolution. He notably read and mentioned the work of the doctor Prosper Lucas,Claude Bernard, and Charles Darwin as references for his own work. This led him to think that people are heavily influenced by heredity and their environment. He intended to prove this by showing how these two factors could influence the members of a family. In 1871, in the preface of La Fortune des Rougon, he explained his intent:
The great characteristic of the Rougon-Macquarts, the group or family which I propose to study, is their ravenous appetite, the great outburst of our age which rushes upon enjoyment. Physiologically the Rougon-Macquarts represent the slow succession of accidents pertaining to the nerves or the blood, which befall a race after the first organic lesion, and, according to environment, determine in each individual member of the race those feelings, desires and passions—briefly, all the natural and instinctive manifestations peculiar to humanity—whose outcome assumes the conventional name of virtue or vice.
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