Leopold Forstner

Leopold Forstner (born 2 November 1878, Bad Leonfelden, Upper Austria; died 5 November 1936 ) was an artist who was part of the Viennese Jugendstil movement, focusing particularly on the mosaic as a form.

Forstner was the only son of Franz Forstner, a carpenter, and his wife Anna. He completed his primary education in Leonfelden, before completing his education in Linz. Through his uncle Anton Forstner he was able to be released from an apprenticeship in glass painting and mosaic installation in Innsbruck and instead studied at the University of Applied Arts in Vienna. There, he studied under Karl Karger and Koloman Moser. Moser would go on to mentor Forstner. After the end of his studies in Vienna, Forstner would go on to study at the Academy of Fine Arts in Munich, under Ludwig von Herterich.

Although his studies in Munich ran from 1902 to 1903, Forstner had begun to work as an artist, painter and illustrator from 1901. In 1906 he founded the "Wiener Mosaikwerkstätte", and two years later he was given a trade licence to produce glass mosaics. He presented work at the 1908 Wiener Kunstschau, organised by Gustav Klimt and Josef Hoffman. He also presented work at the Spring showings of the Hagenbund, a Viennese art collective.

Originally Forstner's mosaics were in the traditional Venetian or Florentine technique and style, he became famous for his mixed media and tile mosaics, for example the Klimt frieze in the . As well as his own designs, Forstner collaborated with many important artists of the time, for example Klimt, Otto Wagner, Otto Schönthal and Emil Hoppe.

Between 1908 and the outbreak of the First World War he produced his most successful work, and expanded his workshop. In 1911, he married his wife, Stephanie (née Stöger), and together they had two children, Georg (born 1912) and Karl (born 1913).

In 1912 he became a member of the Bund österreichischer Künstler, and with the architect Cesar Poppovits and the painter Alfred Basel, he founded the Wiener Friedhofskunst. That year, the success and popularity of his work enabled him to build his own glass kiln. In 1913 he became an associate member of the Society of Austrian Architects.

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