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Lazarus (David Bowie song)

"Lazarus"
David Bowie - Lazarus cover art.jpg
Single by David Bowie
from the album
Released 17 December 2015
Format Digital download
Recorded 2015 at The Magic Shop and Human Worldwide Studios
(New York City, New York)
Genre
Length
  • 6:22 (album version)
  • 4:05 (video edit)
Label
Writer(s) David Bowie
Producer(s)
David Bowie singles chronology
"Blackstar"
(2015)
"Lazarus"
(2015)
"I Can't Give Everything Away"
(2016)
Blackstar track listing
"'Tis a Pity She Was a Whore"
(2)
"Lazarus"
(3)
"Sue (Or in a Season of Crime)"
(4)
Music video
"Lazarus" on YouTube

"Lazarus" is a song by English rock musician David Bowie. It was released on 17 December 2015 as a digital download, making it the second single from his twenty-fifth studio album, (2016), as well as Bowie's last single released before his death on 10 January 2016. The single received its world premiere on BBC Radio 6 Music's Steve Lamacq on the day of its release as a single. In addition to its release on Blackstar, the track is used in Bowie's off-Broadway musical of the same name. The official music video, directed by Johan Renck, was released on 7 January 2016, three days before Bowie's death.

Bowie never performed the song live, but on 17 December 2015, Michael C. Hall appeared on The Late Show with Stephen Colbert, singing "Lazarus" to promote both the single's release and the musical running at New York Theatre Workshop starring Hall.

"Lazarus" was Bowie's first top 40 hit single on the Billboard Hot 100 in more than 28 years, landing at number 40 in the week after his death.

Billboard ranked "Lazarus" at number 40 on their on their "100 Best Pop Songs of 2016" list.Pitchfork listed "Lazarus" on their ranking of the 100 best songs of 2016 at number 5. In the annual Village Voice's Pazz & Jop mass critics poll of the year's best in music in 2016, "Lazarus" was ranked at number 8.

According to Bowie's producer Tony Visconti, the lyrics and video of "Lazarus" and other songs on the album were intended to be a self-epitaph, a commentary on Bowie's own impending death.


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