La Grande Sophie | |
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![]() La Grande Sophie in concert, June 2012.
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Background information | |
Birth name | Sophie Huriaux |
Also known as | LGS |
Born |
Thionville, France |
July 18, 1969
Genres | Pop, rock, chanson |
Years active | 1997– |
Labels | AZ / Universal Music (since 2003) Epic / Sony-BMG (2001-2003) Les Compagnons De La Tête De Mort (1997-2001) |
Website | www |
Sophie Huriaux, better known by her stage name La Grande Sophie (born July 18, 1969 in Thionville, France), is a French singer-songwriter who got her start in the mid-1990s in the Paris alternative scene.
Sophie lived the whole of her youth in Port-de-Bouc, near Marseilles, where her parents moved to when she was quite young. She had her first musical idea while watching Jacques Demy's film Peau d'Ane on television. She began playing guitar at age 9, then at age 13 she started a band called "Entrée interdite" with her brother and her neighbor. As well as performing covers of hits, she wrote and composed for this group, where she was the leading vocalist and musician. In June 1983 the first Fêtes de la Musique took place in France. At almost 14 years old, Sophie managed to convince the management of the school to let her group perform.
At first attracted to the visual arts, especially sculpture, she studied at the École des beaux-arts in Marseilles. She continued to write, compose, and play covers, as well as her own songs, at sidewalk restaurants in Marseilles. After two years of courses in fine arts she chose to quit her studies to dedicate herself exclusively to music. In 1994, she met Julien Bassouls, the entrepreneur of "Life, Live in the Bar", a group which arranged concerts for young artists, and went up to Paris in 1995. She played in many bars and small venues there, accompanied by guitar and bass drum.
In collaboration with other young artists, including Jean-Jacques Nyssen, Clarika and Philippe Bresson, she participated in writing and staging a musical, La Marée d'Inox, played at the Théâtre Jean Vilar in Suresnes in February 1996.
She created "kitchen miousic", which she defined as considering musical activity as little different from any other daily task. This popular and lifelike approach to writing and performing music was one of her distinctive characteristics. This self-definition also expressed her desire not to be pigeonholed into a specific genre.