La De Da's
| La De Das | |
|---|---|
| Origin | New Zealand |
| Past members | Kevin Borich Phil Key Bruce Howard Trevor Wilson Brett Neilsen |
The La De Das were a leading New Zealand rock band of the 1960s and early 1970s. Formed in New Zealand in 1963 as The Mergers, they enjoyed considerable success in both New Zealand and Australia until their split in 1975.
In Australia the band is probably best known as the launching place for the career of guitarist Kevin Borich, and for their recording of the first Australasian rock concept album,The Happy Prince (EMI, 1968).
The band which eventually became The La De Das was started by three young musicians from the rural Huapai district, near Auckland in the North Island of New Zealand. Friends Kevin Borich, Brett Neilson and Trevor Wilson were all from Rutherford High School (Te Atatu) in Te Atatu. The Mergers formed in late 1963 as a Shadows-style instrumental group and began playing local dances and school socials, but The Beatles' visit in June 1964, and the emergence of The Rolling Stones, crystallised the need for change of style and a lead singer. Trevor Wilson suggested a friend from nearby Mt Albert Grammar School, Phil Key, who joined as vocalist and rhythm guitarist.
The group decided that "The Mergers" failed to reflect the toughness of their music, so began searching for another name. One promoter even changed their name to The Gonks for an early 1965 gig at a summer carnival. They decided on The Criminals, but Key's mother was not impressed and after rehearsals one night at the Wilson house, she jokingly suggested instead that they call themselves "something nice, like the la-de-das ...". Key loved it and the name stuck.
By early 1965 their weekend hobby had taken off and they were getting regular bookings on Auckland's booming dance circuit. Their first recordings were made in an Auckland two-track studio. They cut two tracks written by Borich, "Ever Since That Night" and "Little Girl" (co-written with Trevor Wilson). The single was released on the Talent City label in April 1965, but only sold to friends, family and fans.
In November 1965 they got a major break when they were called up to fill in at The Platterack. The La De Das went over well and were offered further bookings at the club. After Phil Key finished school in December, the band turned professional. The Platterack took on The Las De Das as the resident band, replacing the Dallas Four. The band received £12 per week and were soon packing out the club on a regular basis. It was here they linked up with one of the regular patrons, Bruce Howard, a classically trained keyboard player. Bruce auditioned at the next rehearsal and joined the band. He and Trevor Wilson became the creative core of the band, writing all their original material.
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