Kwasa kwasa
| Kwassa kwassa | |
|---|---|
| Stylistic origins | Soukous - zouk |
| Cultural origins | 1970s in Democratic Republic of Congo |
| Typical instruments |
|
| Derivative forms | Ndombolo |
| Regional scenes | |
| Congolese sound (Democratic Republic of the Congo, Paris) | |
| Other topics | |
| Soukous musicians | |
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Kwassa kwassa (or kwasa kwasa) is a dance created by Jeannora who was a mecanic in Kinshasa from the Democratic Republic of the Congo that started in the 1980s where the hips move back and forth while the hands move to follow the hips. It was very popular in Africa .
The dance was popularized by soukous music videos, as well as the videos of Kanda Bongo Man, Pepe Kalle , Viva La Musica, and other Congolese musicians. For the first time in Congo all the groups adopted this dance steps which was not happen before because all the band like to have their own dance.
The words kwassa kwassa may have come from the French quoi ça? ("what [is] that?").
In the 1980s, Kanda Bongo Man, a Paris-based artist, pioneered fast, short soukous tracks suitable for play on dance floors everywhere and popularly known as kwassa kwassa after the dance moves popularized by his and other artists' music videos. This music appealed to Africans and to new audiences as well. Artists like Diblo Dibala, Jeannot Bel Musumbu, Mbilia Bel, Yondo Sister, Tinderwet, Loketo, Rigo Star, Madilu System, Soukous Stars and veterans like Pepe Kalle and Koffi Olomide followed suit. Soon Paris became home to talented studio musicians who recorded for the African and Caribbean markets and filled out bands for occasional tours.
A slower version of this genre has been created and popularized by Koffi Olomide and his band Quartier Latin. Their songs have enjoyed massive airplay throughout Africa in countries like Botswana, Zambia, Zimbabwe, South Africa, Senegal and others. Metavo is also very popular in South Africa.
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