Ken Bruzenak
| Ken Bruzenak | |
|---|---|
| Born |
August 30, 1952 Finleyville, Pennsylvania |
| Nationality | American |
| Area(s) | Letterer |
|
Notable works
|
American Flagg! Mr. Monster Azrael Powers |
| Awards | Harvey Award, 1988–1990 |
Ken Bruzenak (born August 30, 1952) is an award-winning American comic book letterer, primarily known for his work on Howard Chaykin’s American Flagg! Bruzenak's lettering and logowork was integral to the comic's futuristic, trademark-littered ambiance. During the course of his career, Bruzenak has been closely associated with both Chaykin and Jim Steranko.
Bruzenak grew up in Pennsylvania as a huge comic book fan. At age 17, he attended the Detroit Triple Fan Fair convention, where he met his hero Jim Steranko, and also crossed paths with Chaykin for the first time.
After meeting Steranko a second time, Bruzenak took a job renovating Steranko's house in Reading, Pennsylvania. He stayed and worked at the house, along with another Steranko disciple, future comics artist Greg Theakston. Theakston was ostensibly there to assist Steranko on The Steranko History of Comics, volume two; Bruzenak was there to do construction. After about two years, Theakston left the project and Bruzenak took over as Steranko's primary assistant.
During this period, Steranko formed Supergraphics, his own publishing company, where among other things he published the magazine Comixscene (later retitled Mediascene, and finally Prevue). Bruzenak assisted Steranko on the first fifty issues of Comixscene/Prevue, as well as other concurrent projects, such as Marvel's official fan magazine, FOOM (Bruzenak was the associate editor); the illustrated novel Chandler: Red Tide, the comic book adaptation of the film Outland; and various paperback covers and posters.
Bruzenak's duties during this time were varied, basically comprising all aspects of publishing, from research, editing, copy-editing, and proof-reading; to lettering, paste-up, operating a stat camera, and other production skills. (Steranko's 1981 Outland adaptation, in fact, constituted Bruzenak's first professional lettering job.) In the end, Bruzenak worked for Steranko for almost thirteen years.
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