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Kazimirov Kazneni Korpus

Profili Profili
Profili Profili-KKK.jpg
Profili Profili second and Kazimirov Kazneni Korpus first lineup
Background information
Also known as Kazimirov Kazneni Korpus, KKK
Origin Belgrade, Serbia, Yugoslavia
Genres New wave, post-punk, experimental music, minimal music, indie rock
Years active 1981 – 1984
1987
Labels Jugoton, Galerija Srecna Nova Umetnost SKC
Associated acts Ekatarina Velika, Laibach, Pasta ZZ, Supernaut, Šarlo Akrobata, Urbana Gerila
Past members Miodrag Stojanović
Slobodan Jeličić
Dragoslav Radojković
Milan Mladenović
Saša Radić

Profili Profili (Serbian Cyrillic: Профили Профили, trans: Profiles Profiles) was a Serbian and former Yugoslav new wave/experimental music duo from Belgrade, notable as the participant of the Artistička radna akcija project in 1981. During the same year the band members formed another band Kazimirov Kazneni Korpus (Serbian Cyrillic: Казимиров Казнени Корпус, trans: Casimir's Castigation Corpus) and both bands appeared on their split album which is the first album in Yugoslavia to be released under an independent record label.

The band Profili Profili was formed by Miodrag "Čeza" Stojanović (bass, vocals) and Slobodan "Jela" Jeličić (guitar, vocals). Their two songs, "Majke ih guraju u metalnim korpama" ("Mothers Push Them In Metal Baskets") and "Nemir živaca" ("Nerve Unrest"), appeared on the Artistička radna akcija (Artistic Work Action) various artists compilation in 1981.

During the same year, Stojanović and Jeličić, with Dragoslav "Draža" Radojković, formed another band, Kazimirov Kazneni Korpus, half an hour before their first live appearance at Tašmajdan in Belgrade on the Aktuelna Beogradska Rock Scena festival. The band wrote one song during that time and played it in five different versions. The band made another live appearance, at Topčider, with the band Katarina II. At the time, the band was joined by Milan Mladenović, a former Šarlo Akrobata and Katarina II member as an additional bass guitarist.

On May 18, 1982, the two bands performed at the Ljubljana band Laibach art exhibition, at the gallery of the Belgrade SKC. At the performance, the band made a decision to record the material they had been performing, and within the following three days, the band worked at the Banovo Brdo NGM studio. The album recording cost the band 15,000 Yugoslav dinars, which rated the album as a low-budget release, and was released under the independent record label Galerija Srecna nova umetnost SKC, making it the first independent music release in Yugoslavia.


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