Kay Hughes
| Kay Hughes | |
|---|---|
Kay Hughes, 1936
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| Born |
Catherine Mary Rhoads January 16, 1914 Los Angeles, California USA |
| Died | April 4, 1998 (aged 84) Palm Springs, California, USA |
| Nationality | American |
| Other names | Catherine Hughes |
| Occupation | Actress |
| Years active | 1933–45 |
Kay Hughes (January 16, 1914 – April 4, 1998) was an American actress in the 1930s and 1940s who appeared mainly in Western films and serials.
Hughes was born Catherine Mary Rhoads on January 16, 1914 in Los Angeles, California. When she was a year old, her family moved back to her father's native Ohio to be closer to his mother; after she died, they moved back to California when Kay was nine years old. She originally hoped to be a dancer, but health issues requiring two operations during her early years prevented her from pursuing a dance career. In 1935 she auditioned for and received a part in Broadway Melody of 1936 which involved dancing. The film featured Jack Benny and Robert Taylor. Her first speaking role was in After the Dance (1936). While shooting on location in Sonora, California, she met her future husband who worked as a still photographer for MGM at the time.
In 1936, Hughes was signed to a contract with Republic Pictures, where she received leading roles. Although she was only with the studio for six months, she starred in several B Westerns and two of the studio's famed serials. She starred in the first two installments of the popular series of films, The Three Mesquiteers—The Three Mesquiteers (1936) and Ghost-Town Gold (1936)—which launched an entire subgenre of Western movies. She was also the female lead in Republic's third serial, The Vigilantes Are Coming (1936) with Robert Livingston. That same year she appeared in two Gene Autry films as his leading lady, Ride Ranger Ride and The Big Show. She had been scheduled to appear in a third Autry film but was injured during a horse-riding sequence.
In 1937, Hughes starred in the first serial of the Dick Tracy series with Ralph Byrd and Smiley Burnette. The series was re-edited into a feature film, which was released in the same year. At the time, her agent was also managing Deanna Durbin at Universal Studios, and he encouraged her to change studios. That year she broke her contract with Republic after only six months and began making films at Universal Studios as Catherine Hughes, which she though sounded more sophisticated. Unfortunately, Hughes ended up doing the same type of work, starring in another serial Radio Patrol (1937) and the film Trouble at Midnight (1938).
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