Karel Husa
| Karel Husa | |
|---|---|
| Born |
August 7, 1921 Prague, Czechoslovakia |
| Died | December 14, 2016 (aged 95) Apex, North Carolina, United States |
| Nationality | Czech |
| Occupation | Classical composer and conductor |
| Spouse(s) | Simone Perault |
Karel Husa (August 7, 1921 – December 14, 2016) was a Czech-born classical composer and conductor, winner of the 1969 Pulitzer Prize for Music and 1993 University of Louisville Grawemeyer Award for Music Composition. In 1954, he emigrated to the United States and became an American citizen in 1959.
Husa learned to play the violin and the piano in early childhood. After passing his final examination at high school, he enrolled in the Prague Conservatory in 1941, where he studied with Jaroslav Řídký, and attended courses in conducting led by Metod Doležil and Pavel Dědeček.
After the end of the Second World War, Husa was admitted to the graduate school of the Prague Academy, where he attended courses led by Řídký and graduated in 1947. He then continued composition and conducting studies in Paris. In 1947, he studied with Arthur Honegger and Nadia Boulanger. He studied conducting at the École Normale de Musique de Paris and at the Conservatoire de Paris. His conducting teachers included Jean Fournet, Eugène Bigot and André Cluytens. He subsequently divided his career between composing and conducting.
Husa's String Quartet No. 1 received its premiere in June 1950, and won him international attention, as well as the 1950 Lili Boulanger Award and the 1951 Bilthoven Festival Prize. Other performances in the aftermath of these prizes included the International Society for Contemporary Music in Brussels (1950), festivals in Salzburg (1950), Darmstadt (1951), and the Netherlands (1952) as well as at various concerts in Germany, France, Sweden, England, Switzerland, Australia and the United States. Other compositions written by Karel Husa during his time in Paris include Divertimento for String Orchestra, Concertino for Piano and Orchestra, Évocations de Slovaquie, Musique d'amateurs, Portrait for String Orchestra, First Symphony, First Sonata for Piano, and Second String Quartet. Throughout this period, the composer's underlying preoccupation and interest was style, which was primarily influenced by Vítězslav Novák, Leoš Janáček, Béla Bartók and Igor Stravinsky.
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