Kamchatka (film)
| Kamchatka | |
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Theatrical release poster
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| Directed by | Marcelo Piñeyro |
| Produced by |
Pablo Bossi Pedro D'Angelo Oscar Kramer Francisco Ramos |
| Written by | Marcelo Piñeyro Marcelo Figueras |
| Starring |
Ricardo Darín Cecilia Roth Tomás Fonzi Héctor Alterio |
| Music by | Bingen Mendizábal |
| Cinematography | Alfredo F. Mayo |
| Edited by | Juan Carlos Macías |
| Distributed by | Buena Vista Hispano Foxfilms |
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Release date
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Running time
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105 minutes |
| Country | Argentina Spain |
| Language | Spanish |
| Budget | $8,000,000 |
| Box office | $45,379,935 |
Kamchatka is a 2002 Argentine-Spanish historical drama film directed by Marcelo Piñeyro and written by Piñeyro and Marcelo Figueras. It stars Ricardo Darín, Cecilia Roth, Tomás Fonzi, Héctor Alterio and Leticia Bredice.
The story is set in Argentina in the 1970s, during the country's last civil-military dictatorship, and chronicles the life of a family hiding from the military government in rural Argentina. Kamchatka was Argentina's official submission for the 2002 Oscar Awards in the foreign language film category.
The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life.
After witnessing the "disappearance" of dissident friends, a human rights lawyer (Ricardo Darín) and his research scientist wife (Cecilia Roth) flee the city and hide from the military police in a vacant summer house. With them are their two kids: Harry, who is fascinated with the escape artistry of Harry Houdini, and El Enano, his little brother. (Translated as "Little Guy" in the English subtitles, played by Milton de la Canal. The actual translation is "dwarf".) The family adopts new identities and attempts to lead a normal life. Later, they are joined by a student who is using the alias Lucas (Tomás Fonzi).
Their new life is difficult, but a visit with their estranged grandparents (Fernanda Mistral and Héctor Alterio) reveals that they are still a close-knit family. Subtly hinted, however, and used as a metaphor, is the mother's constant smoking and El Enano's renewed bed-wetting. Both serve to show how stressful and precarious their situation is.
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