K. Rajeshwar

K. Rajeshwar
Born	India
Occupation	Film director
Years active	1989–present

K. Rajeshwar is an Indian film director, who has Tamil films. He was active primarily as a film maker and a writer in the 1990s collaborating in ventures which often included Pratap Pothan.

Rajeshwar grew up in Mumbai and became interested in films, as his father was also in the business. He later schooled in Tirunelveli, before moving to Chennai and enrolled in Loyola College, Chennai to read Economics. During his time at college, he was actively involved in writing scripts for skits and plays before his passion for cinema and writing, saw him join the Adyar Film Institute. Rajeshwar started his career as scriptwriter under the name Somasundareshwar. His first script was Aval Appadithan (1978), and was adapted by his college senior C. Rudhraiya from a short story to a feature-length film featuring Rajinikanth and Kamal Haasan. Upon release, the film won critical acclaim and is widely considered as one of the finest Tamil films of all time. He also went on to write scripts for successful films including the romantic dramas Panneer Pushpangal (1981), Kadalora Kavithaigal (1986) and Solla Thudikuthu Manasu (1988). He changed his screen name to Rajeshwar, following the insistence of director Bharathiraja, who wanted to distinguish him from a different director called Somasundar during the period.

Rajeshwar then gained acclaim after writing the script and screenplay for the successful Kamal Haasan starrer Vetri Vizha (1989), before going on to win the second runner up award for the Best Film Award by the Tamil Nadu State for his first directorial venture, Nyaya Tharasu (1989). The film was a remake of the Malayalam film Panchagni, and had a screenplay written by M. Karunanidhi. He then went on to make two successful films with Karthik in the lead with Idhaya Thamarai and Amaran, before writing the script for Pratap Pothan's Seevalaperi Pandi (1994). He planned a project titled Kovilppatti Veeralakshmi as early as 1996 with Swetha Menon but could not find financiers for the venture. Both the latter films were inspired by real-life characters and prompted Rajeshwar to head back to their respective villages and have an elongated recce, while writing the script.

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