June Christy | |
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Christy at the Club Troubador, New York, c. 1947
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Background information | |
Birth name | Shirley Luster |
Also known as | Sharon Leslie |
Born |
Springfield, Illinois, U.S. |
November 20, 1925
Died | June 21, 1990 Sherman Oaks, California |
(aged 64)
Genres | Pop, jazz, cool jazz |
Occupation(s) | Singer |
Years active | 1938–1988 |
Labels | Capitol |
Associated acts |
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June Christy (born Shirley Luster; November 20, 1925 – June 21, 1990) was an American singer, known for her work in the cool jazz genre and for her silky smooth vocals. Her success as a singer began with The Stan Kenton Orchestra. She pursued a solo career from 1954 and is best known for her debut album Something Cool. After her death, she was hailed as "one of the finest and most neglected singers of her time."
Shirley Luster was born in Springfield, Illinois. She moved with her parents Steve and Marie (née Crain) Luster to Decatur, Illinois, when she was three years old. She began to sing with the Decatur-based Bill Oetzel Orchestra at thirteen. While attending Decatur High School she appeared with Oetzel and his society band, the Ben Bradley Band, and Bill Madden's Band. After high school she moved to Chicago, changed her name to Sharon Leslie, and sang with a group led by Boyd Raeburn. Later she joined Benny Strong's band. In 1944, Strong's band moved to New York City at the same time Christy was quarantined in Chicago with scarlet fever.
In 1945, after hearing that Anita O'Day had left Stan Kenton's Orchestra, she auditioned and was chosen for the role as a vocalist. During this time, she changed her name once again, becoming June Christy.
Her voice produced successful hits such as "Shoo Fly Pie and Apple Pan Dowdy," the million-selling "Tampico" in 1945, and "How High the Moon". "Tampico" was Kenton's biggest-selling record. When the Kenton Band temporarily disbanded in 1948, she sang in nightclubs for a short time, and reunited with the band two years later. Christy appeared as guest vocalist on Kenton's albums Artistry in Rhythm (1946), Encores (1947), Innovations in Modern Music (1950) and Stan Kenton Presents (1950), Stan Kenton Classics (Capitol, 1944-47 [1952]) and The Kenton Era (Capitol, 1940-54, [1955]).