Jun-ichiro Tanizaki
| Tanizaki Jun'ichirō | |
|---|---|
 |
|
| Native name | 谷崎 潤一郎 |
| Born |
24 July 1886 Nihonbashi, Tokyo, Japan |
| Died | 30 July 1965 (aged 79) Yugawara, Kanagawa, Japan |
| Occupation | Writer |
| Genre | fiction, drama, essays, silent film scenarios |
Jun'ichirō Tanizaki (谷崎 潤一郎 Tanizaki Jun'ichirō, 24 July 1886 – 30 July 1965) was one of the major writers of modern Japanese literature, and perhaps the most popular Japanese novelist after Natsume Sōseki. Some of his works present a shocking world of sexuality and destructive erotic obsessions. Others, less sensational, subtly portray the dynamics of family life in the context of the rapid changes in 20th-century Japanese society. Frequently his stories are narrated in the context of a search for cultural identity in which constructions of "the West" and "Japanese tradition" are juxtaposed.
He was one of six authors on the final shortlist for the Nobel Prize in Literature in 1964, the year before his death.
Tanizaki was born into a well-to-do merchant class family in Nihonbashi, Tokyo, where his uncle owned a printing press, which had been established by his grandfather. Tanizaki described his admittedly pampered childhood in his Yōshō Jidai (Childhood Years, 1956). His childhood home was destroyed in the 1894 Meiji Tokyo earthquake, to which Tanizaki later attributed his lifelong fear of earthquakes. His family's finances declined dramatically as he grew older until he was forced to reside in another household as a tutor.
Despite these financial problems, he attended the Tokyo First Middle School, where he became acquainted with Isamu Yoshii. Tanizaki attended the Literature Department of Tokyo Imperial University from 1908, but was forced to drop out in 1911 because of his inability to pay for tuition.
Tanizaki began his literary career in 1909. His first work, a one-act stage play, was published in a literary magazine that he had helped found. Tanizaki's name first became widely known with the publication of the short story Shisei ("The Tattooer") in 1910. In the story, a tattoo artist inscribes a giant spider on the body of a beautiful young woman. Afterwards, the woman's beauty takes on a demonic, compelling power, in which eroticism is combined with sado-masochism. The femme-fatale is a theme repeated in many of Tanizaki's early works, including Kirin (1910), Shonen ("The Children", 1911), Himitsu ("The Secret," 1911), and Akuma ("Devil", 1912). Tanizaki's other works published in the Taishō period include Shindo (1916) and Oni no men (1916), which are partly autobiographical.
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