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Judy Malloy

Judy Malloy
Born Judith Ann Powers
(1942-01-09) January 9, 1942 (age 75)
Boston, Massachusetts
Residence Princeton
Alma mater Middlebury College
Children Sean Langdon Malloy
Parent(s) Barbara Lillard Powers
Wilbur Langdon "Ike" Powers
Relatives Walter Powers (cousin)
Website http://www.well.com/user/jmalloy/

Judy Malloy is a poet whose works embrace the intersection of hypernarrative, magic realism, and information art. Beginning with Uncle Roger in 1986, Malloy has composed works in both new media literature and hypertext fiction. She was an early creator of online interactive and collaborative fiction on The WELL and ArtsWire.

Malloy has served as editor and leader for books and web projects. Her literary works have been exhibited worldwide. She is currently a Visiting Lecturer at Princeton University in Electronic Literature (Fall 2014) and Social Media Poetics. (Fall 2013)

Born as Judith Ann Powers in Boston a month after the attack on Pearl Harbor, Malloy was raised in Massachusetts. Her mother was a journalist and newspaper editor, and her father, a Normandy veteran, worked as an assistant district attorney in two Massachusetts counties and then as Chief Assistant US Attorney for Massachusetts. Malloy skied and played tennis, summering in New Hampshire, Cape Cod, and the Berkshires. Malloy felt an early calling to the visual arts and began painting and sketching as a child.

After graduating from Middlebury College with a degree in literature and work in studio art and art history, Malloy took a job at the Library of Congress; she also traveled in Europe. In the next few years, while writing and making art, Malloy worked as a technical information specialist at the NASA contractor Ball Brothers Research Corporation, running their technical library and learning FORTRAN programming in order to identify relevant content for research. Malloy moved to the East Bay in the early 1970s and lived in Berkeley where, in addition to installations and performances, she developed a series of artist's books that incorporated non-sequential narratives driven by words and images.


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