Journey to Freedom | ||||
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Studio album by Michelle Williams | ||||
Released | September 9, 2014 | |||
Recorded | 2012–14, London Bridge Studios, L.A. |
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Genre | ||||
Length | 49:26 | |||
Label | ||||
Producer |
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Michelle Williams chronology | ||||
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Singles from Journey to Freedom | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
CCM Magazine | |
Cross Rhythms | |
GospelPundit | |
Hallels | (Positive) |
Idolator | |
Middlechild Promotions | |
Soul Tracks | ('Recommended') |
Yada Mag |
Journey to Freedom is the fourth studio album by American recording artist Michelle Williams, released on September 9, 2014 by E1 Music and Light Records. It marked her first release under the label after severing professional ties with longtime record company Columbia Records and manager Mathew Knowles in 2009. Following a hiatus from her recording career, Williams' album, a collaboration with main producer Harmony Samuels, was a fusion of both urban contemporary gospel and R&B sounds.
The album was also preceded by the release of the lead single, "If We Had Your Eyes" which peaked in the top-twenty of the US Adult R&B Songs chart. A third single, "Say Yes", reunited Williams with her former Destiny's Child band mates Beyoncé Knowles and Kelly Rowland and peaked at number one on the Billboard Hot Gospel Songs chart. To further promote the album, Williams went on a tour in the United States. The album was nominated for Outstanding Gospel Album (Traditional or Contemporary) at the 46th NAACP Image Awards and earned Williams four nominations at the 30th annual Stellar Awards.
In October 2008, Williams released her third studio album Unexpected, her first release since the disbanding of Destiny's Child. A breakaway from her previous solo efforts, gospel albums Heart to Yours (2002) and Do You Know (2004), the dance-pop-R&B album gained generally favorable reviews from critics, but became a moderate seller. Meanwhile, lead single "We Break the Dawn" and follow-up "The Greatest" became top ten hits on the dance charts, though plans for a reissue of the album failed to materialize. In July 2009, Williams began a limited six-week engagement at the Cambridge Theatre in Chicago, making her the first African-American to be cast in the West End production of the musical. Her run was extended and Williams continued appearing for three additional weeks for an extended engagement through September 2009.