Cambridge Theatre
Cambridge Theatre in 2011
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| Address | Earlham Street, Seven Dials London, WC2 United Kingdom |
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| Coordinates | 51°30′49″N 0°07′36″W / 51.513677°N 0.126692°W |
| Public transit |
 Covent Garden
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| Owner | Really Useful Theatres |
| Designation | Grade II |
| Type | West End theatre |
| Capacity | 1,231 on 3 levels |
| Production | Matilda the Musical |
| Construction | |
| Opened | 4 September 1930 |
| Architect | Wimperis, Simpson & Guthrie |
| Website | |
| Cambridge Theatre (Official Website) | |
The Cambridge Theatre is a West End theatre, on a corner site in Earlham Street facing Seven Dials, in the London Borough of Camden, built in 1929–30 for Bertie Meyer on an "irregular triangular site".
It was designed by Wimperis, Simpson and Guthrie; interior partly by Serge Chermayeff, with interior bronze friezes by sculptor Anthony Gibbons Grinling. The theatre is built in steel and concrete and is notable for its elegant and clean lines of design. The theatre was refurbished in 1950—the original gold and silver décor was painted over in red, and candelabras and chandeliers were added. In 1987, in order to restore the original décor, the theatre was once again refurbished, this time by Carl Toms. The theatre has a circular entrance foyer, with Grinling's bronze frieze depicting nude figures in exercise poses, the theme continues into the main foyer, with dancing nudes, marble pilaster up lighters and concealed lighting.
English Heritage notes
the Cambridge Theatre is a rare, complete and early example of a London theatre adopting the moderne, expressionist style pioneered in Germany during the 1920s. It marked a conscious reaction to the design excesses of the music hall and contemporary cinemas. Theatres looked for a new style appropriate to the greater sophistication of their entertainment and found it in the Germanic moderne forms of simple shapes enlivened by concealed lighting, shiny steelwork and touches of bright colour; this was not taken up by cinema designers until 1935.
The theatre was Grade II listed in January, 1999.
Productions at the Cambridge Theatre have been characterised by relatively short runs interspersed with several dark periods and the theatre was used for trade film shows in the late 1930s and again in 1969 as a cinema.
Notable productions include Joan Sims in Breath of spring by Peter Coke in 1958, Tommy Steele in Half a Sixpence in 1963 (678 performances), Bruce Forsyth in Little Me in 1964 (334 performances), The Black Mikado (1975–76), and in the late 1970s the Kander and Ebb musical Chicago (musical) ran for 590 performances. More recently the 'rock'n'roll' musical Return to the Forbidden Planet, which was based on Shakespeare's The Tempest and used 1950s and 1960s songs opened in September 1989 and lasted until early 1993, winning the Olivier Award for Best New Musical—beating the favourite, Miss Saigon.
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