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Joseph Canteloube


Marie-Joseph Canteloube de Malaret (French pronunciation: ​[ma.ʁi ʒɔ.zɛf kɑ̃t.lub də ma.la.ʁɛ]; 21 October 1879 – 4 November 1957) was a French composer, musicologist, and author best known for his collections of orchestrated folksongs from the Auvergne region, Chants d'Auvergne.

Canteloube was born in Annonay, Ardèche, into a family with deep roots in the Auvergne region of France. He studied piano from the age of six with Amélie Doetzer, a friend of Frédéric Chopin. After earning his baccalauréat, he worked at a bank in Bordeaux. He returned to his family home in Malaret (Annonay) upon his father's death in 1896, remaining there until his mother's death in 1899 and then beyond as sole owner of the estate. After a period of silence and mourning, Canteloube married Charlotte Marthe Calaret in 1901, who gave birth to twins Pierre and Guy in 1903.

He began studying with Vincent d'Indy via correspondence in 1901, reluctant to leave Malaret. Upon d'Indy's constant urging, he finally entered the Schola Cantorum in 1907 in Paris, where he remained until the beginning of World War I in 1914. At the Schola, Canteloube became close friends with fellow composer and student Déodat de Séverac.

In 1907, he wrote a suite entitled Dans la montagne for piano and violin in four movements that was played at the Société Nationale. Other significant works followed, including Colloque sentimental for voice and string quartet (1908); Eglogue d'Automne for orchestra (1910); Vers la Princesse lointaine, a symphonic poem (1912); Aù printemps for voice and orchestra; and L'Arada (The Earth), a song cycle of six mélodies (1922).

Canteloube composed his first opera, Le mas ("The Farmstead" in Occitan language), to his own libretto from 1910 to 1925 (its composition delayed during war years). The three act work won the Prix Heugel in 1925, and was awarded the prize of 100,000 Francs. However, the reaction to this composition by the leaders of the Opéra-Comique in Paris was far less enthusiastic than the jury. After pressure from the publisher, it finally premiered on 3 April 1929, but it was never revived. Vercingétorix, his second opera, in four acts, was inspired by a libretto by Étienne Clémentel, mayor of Riom (Puy-de-Dôme) and Hervé Louwyck on the Gauls' defeat by Julius Caesar. The Paris Opéra gave the first performance on 22 June 1933, but it was accused of lacking theatricality.


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