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José Suárez

José Suárez
Born José Suárez Sánchez
(1919-09-19)19 September 1919
Trubia, Asturias, Spain
Died 6 August 1981(1981-08-06) (aged 61)
Moreda, Aller, Asturias, Spain
Years active 1944–1977

José Suárez (19 September 1919–6 August 1981) was a Spanish film actor.

José Suárez made his debut in a short role in Altar Mayor (1944), a very conventional film, whose director, Gonzalo Delgrás, had paid attention to him in his work as a train conductor in Asturias. He played increasingly important roles in following Delgrás's movies and by 1948 he was already a lead actor.

He then became very popular in Spain along the late 40s and early 50s, as one of the main of the Spanish cinema, along with his contemporaries Francisco Rabal, Jorge Mistral and Alfredo Mayo. Nevertheless, he performed remarkably in three outstanding dramas, namely Brigada criminal (1950), Condenados (1953) and Así es Madrid (1953), in the screen version of Buero Vallejo`s most famous play, Historia de una escalera (1950), and in the historical superproduction (for Spanish standards) Alba de América (Dawn of America, 1951), playing King Fernando el Católico. He portrayed Zorro in the film La montaña sin ley (Lawless mountain) (1953), making him the first Spanish actor in the role. He also co-starred with the popular Andalusian gipsy singer and dancer Lola Flores in La danza de los deseos (1954), directed by the most prestigious veteran Spanish film-maker, Florián Rey. In 1955 he co-starred Señora Ama with the Mexican and Hollywood star Dolores del Río.

In 1956, his lead role in the internationally acclaimed Calle Mayor (undoubtedly his best role, his best performance and his best film, although he always preferred Condenados) provided him with the opportunity to work in Italy with well-known film directors as Luigi Zampa in The Magistrate, starring with Claudia Cardinale, and Francesco Rosi in La sfida, starring with Rosanna Schiaffino, while he gradually lost his popularity in his home country, despite still appearing in the 60s in some interesting Spanish movies, such as A tiro limpio (1963) or La boda (1964).


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