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Jonathan Meades

Jonathan Meades
Jonathan Meades reading on Sterne's grave 2012.jpg
Meades reading on the grave of Laurence Sterne
Born (1947-01-21) 21 January 1947 (age 70)
Salisbury, Wiltshire, England
Education King's College, Taunton
Alma mater Royal Academy of Dramatic Art
Occupation
  • Writer
  • Broadcast presenter
Television See TV works
Website www.jonathanmeades.com

Jonathan Turner Meades (born 21 January 1947) is a writer, food journalist, essayist and film-maker. Meades has written and performed in more than 50 television shows on predominantly topographical subjects. His books include three works of fiction and several anthologies.

Meades is an Honorary Associate of the National Secular Society and a Patron of the British Humanist Association.

Meades was born in Salisbury, Wiltshire, and educated at King's College, Taunton, which he described as "a dim, muscular Christian boot camp". He studied at the Royal Academy of Dramatic Art (RADA) in 1968.

Meades wrote reviews and articles for The Times for many years, and was specifically its restaurant critic from 1986 to 2001. He was voted Best Food Journalist in the 1999 Glenfiddich Awards. Having given up writing about English cuisine in 2001 after being The Times' restaurant critic for fifteen years, Meades estimated, in an interview with Restaurant magazine, that he had put on 5 lb a year during his reviewing period, which works out around an ounce per restaurant. By his own statement in the series Meades Eats, after being pronounced 'morbidly obese' he subsequently managed to lose a third of his body weight over the course of a year.

His first collection of stories Filthy English was followed by Pompey (1993), which was widely praised and compared to Sterne, Scarfe, Steadman, Dickens and Joyce amongst other great stylists.

Meades' An Encyclopaedia of Myself was published in May 2014 by Fourth Estate. It was long-listed for that year's Samuel Johnson Prize and won Best Memoir in the Spear's Book Awards 2014. Roger Lewis of the Financial Times said of the work that "If this book is thought of less as a memoir than as a symphonic poem about post-war England and Englishness – well, then it is a masterpiece."


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