John Zundel
| John Zundel | |
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Portrait
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| Native name | Johannes Zundel |
| Born |
December 10, 1815 Hochdorf, Württemberg, Germany |
| Died | May 21, 1882 (aged 66) Kirchheim unter Teck, Germany |
| Citizenship | Naturalized citizen of the United States |
| Education | Royal Academy at Esslingen |
| Occupation | Organist, Composer |
John Zundel (December 10, 1815 – May 21, 1882) was an organist, composer, arranger, and pedagogue. Zundel was perhaps best known for his hymn BEECHER, widely used in American hymnals with "Love Divine" by Charles Wesley.
Zundel was born in the village of Hochdorf an der Enz in what was then the Kingdom of Württemberg, Germany. He attended the Royal Academy at Esslingen, Württemberg, from 1829 to 1831, then he began teaching at the local school in Birkach, Germany. In 1833 he was appointed teacher of music in Esslingen. During this time, Zundel studied the violin with a pupil of Bernhard Molique. Also he studied the organ first with J.G. French and then with Heinrich Rinck.
In 1839 Zundel studied organ building at the factory of , and in 1840 he traveled to St. Petersburg, Russia, to give a concert on a Walcker organ at the Lutheran Church of Saint Peter and Saint Paul. It was the first organ concert ever given on Russian soil. Zundel became organist at Saint Anne Lutheran Church in Saint Petersburg and bandmaster of the Imperial House Guards. He remained in St. Petersburg for seven years.
Intending to give organ concerts, Zundel emigrated to the United States in 1847. Unable to find suitable instruments for concerts, he settled in as a church organist. Employed first at the Unitarian Church of Brooklyn under Reverend Farnley in 1848, he was then hired by Henry Ward Beecher in 1850 as music director and organist for Brooklyn's Plymouth Church. Zundel remained at Plymouth Church a total of 28 years, interrupted twice to travel and to serve briefly in nearby churches.
Zundel's lasting contributions to music pedagogy were his instructional texts, principally Zundel's Harmony. His work spanned over 20 years.
Additionally, Zundel composed a number of preludes, postludes, voluntaries, and fantasies suitable for church services.
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