João Grande

João Oliveira dos Santos (born 15 January 1933) better known as Mestre João Grande, is a Grão-Mestre (Grand Master) of the Afro-Brazilian martial art of capoeira angola who has contributed to the spread of this art throughout the world. He was a student of the "father of Angola", Mestre Pastinha, and has an academy in New York City.

Mestre João Grande was born in the village of Itagi in the south of the Brazilian state of Bahia. As a child he worked alongside his family in the fields. At the age of 10 he saw "corta capim" for the first time. This is a movement performed by crouching down, extending one leg in front and swinging it around in a circle, hopping over it with the other leg. Fascinated, he asked what it was called and was told that it was "the Dance of the Nagos" — a dance of the African descendants in the city of Salvador. The Yoruba of Southwest Nigeria had a major cultural influence in Salvador, which was considered the Black Rome of Brazil. But the dance was actually of Central African origin— it was Capoeira. João didn't learn the correct name of the movement until many years later, but it changed his life forever. At the age of ten he left home in search of "the Dance of the Nagos".

Ten years later, he ended up in Brazil, the birthplace of capoeira as we know it, where he saw a proper capoeira roda for the first time. Present were mestres Menino Gordo, João Pequeno, who was there with his first teacher, Mestre Barbosa, and Cobrinha Verde, one of the most skillful players of that era.

João Grande asked Mestre Barbosa if he could study and Mestre Barbosa sent him to João Pequeno, who later became his closest associate in capoeira. João Pequeno sent him to Mestre Pastinha who had a famous academy in the Cardeal Pequeno neighborhood of Brotas. João Grande requested permission to join his academy, and Pastinha accepted João as a student at the age of twenty, relatively late in capoeira life. While studying, João Grande worked as a longshoreman, playing after work or on his few days off.

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