Jim Ede

Harold Stanley Ede (7 April 1895 – 15 March 1990), also known as 'Jim' Ede, was an English collector of art and friend to artists.

Ede studied painting at Newlyn Art School between 1912 and 1914. He was commissioned in September 1914 during the First World War, serving with the South Wales Borderers. After the war, he continued his studies at the Slade School of Art.

In 1921, Ede got a job as assistant curator at the Tate Gallery in London whilst continuing to study part-time at the Slade. Shortly after he married Helen Schlapp whom he had met in Edinburgh. Whilst working at the Tate, he tried to promote the work of the contemporary artists of the day, including artists such as Picasso and Mondrian. However, he was often thwarted by the more conservative attitudes of the gallery directors. During his time at the Tate, Ede formed numerous friendships with avant-garde artists of the day. In the process, he acquired many works of art that were largely under-appreciated at the time. In particular he secured much of the work of Henri Gaudier-Brzeska from the estate of Sophie Brzeska. The collection included numerous letters sent between Henri and Sophie and Ede used these as the basis for his book Savage Messiah on the life and work of Gaudier-Brzeska, which in turn became the basis of Ken Russell's film of the same name.

In 1936, Ede tired of fighting the establishment at the Tate and left to live in Morocco, building a house outside Tangiers. Somewhat ahead of his time, he adopted a minimalist style of interior design advocating plain white-washed walls and the minimum of furniture required to complete a room. For the next twenty years, he led an itinerant life, writing, broadcasting and lecturing in Europe and America, whilst keeping the house in Morocco as a base.

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