Jerry Jofen | |
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Born | 1925 Bialystok, Poland |
Died | 1993 New York City, United States |
Occupation | painter, collagist, filmmaker |
Spouse(s) | Ellen |
Jerry Jofen (1925–1993) was an American painter, collagist, and experimental filmmaker.
Zalman "Jerry" Jofen was born in Bialystok, Poland, to a scholarly rabbinical family. In 1941 he fled with his family to the United States to escape the Nazis, arriving in San Francisco on the last refugee ship from Japan. Later he moved to New York City, where he spent much of his time in Greenwich Village. Starting out as a painter, he began to explore film and other media in the 1960s. Jofen is best known for his part in the New York underground film scene, where he collaborated with artists such as Jack Smith, Ken Jacobs, and Angus MacLise. Few of his films survive, mainly because he had a habit of destroying them or leaving them unfinished. Nevertheless he was a noted experimental filmmaker in his day, making innovative use of superimposition and other techniques, and influencing other artists such as Andy Warhol, Stan Brakhage, Ron Rice, and Barbara Rubin.
In 1965 Jofen's work was included in the New Cinema Festival (also known as the Expanded Cinema Festival), an extensive series of multimedia productions in New York presented by Jonas Mekas and featuring the work of such artists as Robert Rauschenberg and Claes Oldenburg. Mekas was impressed with Jofen, writing in the Village Voice, "The first three programs of the New Cinema Festival – the work of Angus McLise [sic], Nam June Paik, and Jerry Joffen [sic] – dissolved the edges of this art called cinema into a frontiersland mystery." Jofen's entry also made a lasting impression on the playwright Richard Foreman, who recalled it years later as one of his favorites.