Jeevan Prabhat | |
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Film poster
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Directed by | Franz Osten |
Produced by | Himanshu Rai |
Written by | Niranjan Pal (screenplay) |
Starring |
Devika Rani Mumtaz Ali Kishore Sahu Renuka Devi |
Music by | Saraswati Devi |
Cinematography | Joseph Wirsching |
Production
company |
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Distributed by | Ramniklal Mohanlal and Co., Bombay |
Release date
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1937 |
Running time
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144 minutes |
Country | British India |
Language | Hindi |
Jeevan Prabhat (Dawn Of Life) is a 1937 Hindi film social drama, produced by Bombay Talkies and directed by Franz Osten. The music director was Saraswati Devi with lyrics and dialogues by J. S. Casshyap. The screenplay was by Niranjan Pal. The film's "star value" was Devika Rani, with Kishore Sahu making his debut as an actor in the film. The cast included another debutant, Renuka Devi, with Mumtaz Ali, Maya Devi and M. Nazir.
The film deals with the social evils of caste system, and remarriage. Uma is sent back to her father's home after her husband remarries, as she is unable to bear children. Her renewed friendship with a childhood friend, Ramu, a Harijan, bings censure and misunderstanding from her husband and society.
Set in a village, a young Brahmin couple Nandlal (Mumtaz Ali) and Uma (Devika Rani) are unable to have any children. The husband plans to take another wife, Padma. Ramu (Kishore Sahu) belongs to the potters family where Uma normally spent most of her time before marriage. The friendship has been frowned upon as Ramu is from the Harijan caste. Nandlal sends Uma to her father's house, where she renews her friendship with Ramu. Nandlal sees Uma talking to Ramu (Kishore Sahu). While at her father's house, Uma discovers that she is pregnant. Misunderstandings arise when Nandlal gets suspicious about Uma and Ramu, but all is set right by Padma, Nandlal's second wife. She clears Uma's name, and gets Nandlal and Uma together before walking out of their lives.
Jeevan Prabhat was released on 2 November 1937, at Minerva Talkies, Bombay. Baburao Patel, the Filmindia editor, in his review of December 1937, called it Osten's "better work than ever before". Saraswati Devi's music composition and Wirsching's cinematography were praised, as was Niranjan Pal's screenplay, "a good story with plenty of entertainment". Devika Rani was hailed for scoring "another triumphant". Renuka Devi was praised for her looks but criticised for her acting. Kishore Sahu was stated to be a "big disappointment".