Manufacturer | Fender |
---|---|
Period | 1958–1980; 1984–present |
Body type | Solid |
Neck joint | Bolt-on |
Scale | 25.5 in (650 mm) |
Body |
Alder Ash Basswood |
Neck | Maple |
Fretboard | Usually Rosewood |
Bridge | "Floating" proprietary Vibrato |
Pickup(s) | Two single-coils |
Various 2- or 3-color sunbursts Shades of blonde Various shades of white, blue, red, green, etc. |
The Fender Jazzmaster is an electric guitar designed as a more expensive sibling to the Fender . First introduced at the 1958 NAMM Show, it was initially marketed to jazz guitarists, but found favor among surf rock guitarists in the early 1960s. Its appearance is similar to the Jaguar, though it is tonally and physically different in many technical ways.
The contoured "offset-waist" body was designed for comfort while playing the guitar in a seated position, as many jazz and blues artists prefer to do. A full 25½" scale length, lead and rhythm circuit switching with independent volume and tone controls, and a floating tremolo with tremolo lock, were other keys to the Jazzmaster's character. The tremolo lock can be manually activated to keep the entire guitar from going out of tune if one string breaks. The Jazzmaster also had an extra-long tremolo arm. The bridge and tremolo construction is very different from that of the Stratocaster and gives the Jazzmaster a different resonance and generally less sustain.
The body is larger than that of other Fender guitars, requiring a more spacious guitar case. The Jazzmaster had unique wide, white "soapbar" pickups that were unlike any other single coil. Jazzmaster pickups are often confused with Gibson's P-90 pickups. Although they look similar, they are constructed differently. Whereas the polepieces of the Jazzmaster pickups are magnets, the P-90 has its magnets placed underneath the coil. The JM coil is wound flat and wide, even more so than the P-90. This is in contrast to Fender's usual tall and thin coils. This "pancake winding" gives them a warmer thicker tone without losing their single coil clarity. The Jazzmaster has a mellower, jazzier tone than the Strat, although it was not widely embraced by jazz musicians. Instead, rock guitarists adopted it for surf rock. The Ventures, The Surfaris, and The Fireballs were prominent Jazzmaster users.
One of the Jazzmaster's notable features is the pickup circuit featuring the unusual "roller" thumbwheel controls and slide switch at the upper neck end of the pickguard. The slide switch selects between two different pickup circuits, the "lead" and "rhythm" circuits. When the switch is in the lead position, the guitar's tone is controlled by the conventional tone and volume knobs and the pickup selector switch. When it is in the rhythm position, it selects the neck pickup only with the brightness rolled off slightly due to the capacitor, and the volume and tone are controlled by the two thumbwheels; the other controls are bypassed. The intention was that this circuit would allow the performer to quickly switch to a "preset" volume and tone setting for rhythm playing.