P-90
| P-90 | |
|---|---|
 |
|
| Manufacturer | Gibson |
| Period | 1946–1957, reissues since 1968 |
| Type | Passive single-coil |
| Magnet type | Alnico 3 (early), Alnico 5 (later) |
| Output specifications | |
| Voltage (RMS), V | 241.1 mV at 6.405 kHz resonant frequency |
| Impedance, kΩ | 7.47 kΩ at 6.405 kHz resonant frequency |
| Sonic qualities | |
| Resonant frequency, Hz |
6.405 kHz |
The P-90 is a single coil electric guitar pickup produced by Gibson since 1946. Gibson is still producing P-90s, and there are outside companies that manufacture replacement versions.
Around 1940 Gibson offered a new bridge pickup for ES-100/125 series, as an alternative to the classic Charlie Christian, cased in metal.
Officially P-90 pickups were introduced in 1946, when Gibson resumed guitar production after World War II. They were initially used to replace Gibson's original "bar" or "blade" pickup (also known by many as the "Charlie Christian pickup") on models such as the ES-150, and by the end of the 1940s it was the standard pickup on all models.
The P-90's reign as the Gibson standard pickup was short-lived, however, as a new design of pickup, the humbucker, was introduced in 1957. Equipped with double coils, the new pickup boasted greater output and less hum, although with less high end response. This new pickup, occasionally named PAF, very quickly took over as the preferred choice for all Gibson models, relegating the P-90 to budget models such as the ES-330, the Les Paul Junior and Special, and the SG Junior and Special, such as those used by Pete Townshend and Carlos Santana. This trend continued throughout the 1960s and particularly in the early 1970s, where the pickup all but disappeared from the entire Gibson range. By the 1970s, smaller single-coil pickups, mini-humbucking pickups, and uncovered humbucking pickups began replacing the P-90 pickups on Gibson's budget and lower-end models.
In 1968, however, Gibson re-issued the original, single-cutaway Les Paul - one version of which was a Goldtop with P-90 pickups. In 1972, they produced Limited Edition reissues - the "58 Reissue" - actually based on the '54 Goldtop Les Paul, with a stopbar tailpiece; and the '54 Custom, the Black Beauty, equipped with a P-90 in the bridge and an Alnico 5 pickup at the neck - the total production of these guitars was quite small. In 1974, Gibson put the P-90 pickup in their Les Paul '55, a reissue of the Les Paul Special from that era. It was followed in 1976 by the Les Paul Special Double-cutaway model and in 1978 by the Les Paul Pro (which had an Ebony fingerboard with trapezoid inlays). Since the 1970s the P-90 pickup has seen some success in various models in the Gibson line, mostly through reissues and custom versions of existing models. Currently it is featured most prominently on the Les Paul Faded Doublecut, and certain models in the "Historic" range.
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Wikipedia