Japanner

Japanning is a type of finish that originated as a European imitation of Asian lacquerwork. It was first used on furniture, but was later much used on small items in metal. The word originated in the 17th century.

Although often referred to as lacquer, it is distinct from true East Asian lacquer, which is made by coating objects with a preparation based on the dried sap of the Toxicodendron vernicifluum tree, which was not available in Europe.

Japanning is most often a heavy black "lacquer", almost like enamel paint. Black is common and japanning is often assumed to be synonymous with black japanning. The European technique uses varnishes that have a resin base, similar to shellac, applied in heat-dried layers which are then polished, to give a smooth glossy finish. It can also come in reds, greens and blues.

Originating in India, China and Japan as a decorative coating for pottery, it made its way into Europe by the 17th century. In the late 17th century, high European demand and rumors that higher quality pieces were not exported led to production starting in Italy. Its traditional form used gold designs and pictorials to contrast with the black base color.

As the demand for all things japanned grew, the Italian technique for imitating Asian lacquerwork also spread. The art of japanning developed in seventeenth-century Britain, France, Italy, and the Low Countries. The technique was described in manuals such as Stalker and Parker's Treatise of Japanning and Varnishing, published in Oxford in 1688. Colonial Boston was a major center of the japanning trade in America, where at least a dozen cabinetmakers included it among their specialties. In England, decoupage, the art of applying paper cutouts to other items, became very popular, especially the botanically inspired works of Mary Delany.

Wolverhampton and Bilston were important centres for the manufacture of japanned ware. Trade directories for 1818 list 20 firms of japanners in Wolverhampton and 15 in Bilston. According to Samuel Timmins' book Birmingham and the Midland Hardware District, published in 1866, there were 2000 people employed in the japanning and tin-plate industries in Wolverhampton and Bilston at the time. Japanning firms ranged in size from small family workshops, which often adjoined the proprietor's home, to a few large factories employing over 250 people. In the larger workshops, the production of tin plate and papier-mâché articles and the japanning process all took place under one roof, while small workshops tended to carry out only one or two of the trades, usually tin-plate working and japanning.

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