James McBey

James McBey
Portrait of the Artist (IWM ART 1517)
Born	James McBey (1883-12-23)23 December 1883 Newburgh, Aberdeenshire
Died	1 December 1959(1959-12-01) (aged 75) Tangier, Morocco
Nationality	Scottish
Education	Gray's School of Art
Known for	Painting, Etching

James McBey (23 December 1883 – 1 December 1959) was a largely self-taught artist and etcher whose prints were highly valued during the later stages of the etching revival in the early 20th century. He was awarded an Honorary Doctor of Letters by Aberdeen University.

McBey was born in Newburgh, Aberdeenshire, Scotland, educated at his village school, and at the age of 15 years became a clerk in a local bank. After reading an article on etching in an art magazine, he borrowed from Aberdeen public library Maxime Lalanne’s treatise on etching Traité de la Gravure a l’Eau-Forte, attended evening classes at Gray's School of Art, and taught himself how to create etchings on zinc plates. He printed the results on paper using a domestic mangle. By 1910 he had enough confidence in his own ability to abandon banking and spent the summer in the Netherlands where he viewed etchings by Rembrandt and etched 21 plates of his own. From 1910 onwards he travelled widely, visiting Europe, North Africa and America. By 1911 his etchings were of sufficiently high quality to earn him an exhibition at the Goupil Gallery in London and his prints were published in both London and Glasgow. In 1912 McBey travelled to Morocco with James Kerr Lawson and began working in watercolours.

At the start of World War One McBey's poor eyesight prevented him enlisting as a soldier but in January 1916 he was commissioned as a second lieutenant in the Army Printing & Stationery Service based in Rouen. Whilst on leave there he completed two series of sketches, France at her Furnaces, showing the munition works at Harfleur, and some views of the Somme. After these drawings were shown in London, McBey was appointed an official war artist to the Egyptian Expeditionary Force. Throughout 1917 and 1918 McBey accompanied the Allied advance in Palestine, from Gaza to Damascus. Working in both watercolours and oils McBey produced some 300 pieces, many of which are now in the Imperial War Museum. As well as portraits of the Allied commanders, McBey painted notable portraits of Emir Faisal, and T.E. Lawrence. McBey spent five days on a reconnaissance mission in the Sinai Desert with an Imperial Camel Corps patrol, consisting of rough-riders from the Australian outback, and witnessed Allenby's entry into Jerusalem in December 1917.