It Takes Two | |
---|---|
Created by | Susan Harris |
Starring |
Richard Crenna Patty Duke Astin Helen Hunt Anthony Edwards Billie Bird Richard McKenzie Randy Dreyfuss Della Reese |
Theme music composer | George Aliceson Tipton |
Composer(s) | George Aliceson Tipton |
Country of origin | United States |
No. of seasons | 1 |
No. of episodes | 22 |
Production | |
Executive producer(s) |
Paul Junger Witt Tony Thomas Susan Harris |
Running time | 24–25 minutes |
Production company(s) | Witt-Thomas-Harris Productions |
Release | |
Original network | ABC |
Original release | October 14, 1982 | – April 28, 1983
Chronology | |
Preceded by |
Soap Benson |
It Takes Two is an American sitcom which ran on ABC from October 14, 1982 until April 28, 1983. It was created by Susan Harris, who had previously created the sitcom Soap and its spin-off Benson, both for ABC, the latter of which was in the midst of its run when this series premiered. The series starred Richard Crenna and Patty Duke Astin as a modern, dual career couple whose personal lives were largely impacted by their professions. Harris, her husband Paul Junger Witt and Tony Thomas executive produced the series, under the group's Witt/Thomas/Harris Productions company.
Dr. Sam Quinn (Crenna) was a successful surgeon in Chicago, who for many years had the comfort of coming home to his devoted wife Molly (Astin) after long hours at the local hospital. Within time, Sam would be in for a rude awakening when Molly, bored with being a housewife and yearning to make even more out of her life, enrolled in law school. As the series began, Molly was now an assistant D.A., and before either of them knew it, the passion in their marriage, and quality time for each other, had quickly started to slip from their grasp. Sam missed being able to come home to warm dinners and clean laundry, and lovemaking opportunities were few and far between—not to mention fruitless (Molly's long hours caused her to fall asleep right away when the two retired for the night). Fortunately, Sam and Molly were master communicators, and the two tried their best to compromise, in order to bring that spark back into their marriage. When they came to each other for support over highly emotional career-related matters, it was clear that there was still plenty of love to be shared.
The one aspect of their marriage that did change upon Molly's entrance into the legal system was political points of view. Molly had always seemed to agree with Sam's liberal leanings, which he continued to maintain. Eventually, Molly's time in the D.A.'s office had made her more hard-line and conservative, which became the cause of many debates in their household. In the end, it was Sam's knack for witty, no-holds-barred but warm reasoning that kept sensitive Molly from wanting to chuck her career when her cases became too much to bear.