Iry LeJeune
| Iry LeJeune | |
|---|---|
| Birth name | Ira LeJeune |
| Also known as | Iry |
| Born | October 28, 1928 |
| Origin | Pointe Noire, Louisiana, United States |
| Died | October 8, 1955 (aged 26) |
| Genres | Cajun music |
| Occupation(s) | Accordion player |
| Instruments | Accordion |
| Labels | FolkStar Records, Opera Records, Ace Records, Swallow Records |
| Associated acts | Oklahoma Tornados |
| Notable instruments | |
| Accordion | |
Ira "Iry" LeJeune (October 28, 1928 – October 8, 1955) was one of the best selling and most popular Cajun musicians in the mid to late 1940s into the early 1950s.
His recordings and repertoire remain influential to the present day. He was among a handful of recording artists who returned the accordion to prominence in commercially recorded Cajun music and dance hall performances. The return of the accordion contrasted with the popular Cajun recorded output of the late 1930s and 1940s, a time during which fiddles and Western Swing sounds from Texas were influencing Cajun music. The return of the accordion to prominence is referred to as a Cajun music renaissance, i.e. a return to the roots and rebirth in Cajun pride in their traditional music. Iry LeJeune is regarded as one of the best and most beloved Cajun accordionists and singers of all time.
Iry LeJeune was born October 28, 1928, on a modest sharecropping farm at Pointe Noire, a rural area near Church Point, LA. LeJeune came from a family that embraced music and his father, Agness LeJeune, taught him the rudiments of accordion at an early age. LeJeune's cousin, Angelas LeJeune, an excellent accordion player who'd made 78s in the 1920s, also encouraged him, often showing LeJeune traditional songs on his instrument. Nearly blind, music provided happiness for LeJeune, and as he grew older, he relied on it to make a living. Besides his cousin, LeJeune's major influence was Amédé Ardoin, the Creole accordion player who made several records in the 1930s - "Jole Catin" and "Les Blues De Voyage" among others – and was popular at white and Creole dances in the area. LeJeune selected Ardoin's repertoire and adopted the emotive crying style of vocals that would eventually become his trademark.
Unable to work in the fields because of his poor eyesight, as a youth, LeJeune entertained the local sharecroppers. By the time he reached his teens, LeJeune was making a few dollars on weekends playing dances around Church Point, and occasionally traveling as far as Eunice, LA to perform. At the conclusion of World War II, LeJeune moved west to Lacassine, Louisiana (near Lake Charles, LA) where there were many more venues in which to play music.
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Wikipedia