Innamoramento | ||||
---|---|---|---|---|
Studio album by Mylène Farmer | ||||
Released | April 7, 1999 | |||
Recorded |
|
|||
Genre | synthpop, pop rock, alternative rock, house, darkwave | |||
Length | 64:34 | |||
Label | Polydor | |||
Producer | Laurent Boutonnat | |||
Mylène Farmer chronology | ||||
|
||||
Alternative cover | ||||
Collector edition
|
||||
Singles from Innamoramento | ||||
|
Innamoramento is the fifth studio album by Mylène Farmer, released on April 7, 1999.
By 1999, Farmer had barely appeared in the media since her 1996 concerts at Paris-Bercy. The singer spent most of this time traveling many countries (such as China, Ireland, Italy and the United States), where she drew her inspiration for her next album, giving it a greater ethnic orientation. She was also inspired by the books Falling In Love by Francesco Alberoni, If This is a Man by Primo Levi, and books on Buddhism. While some media announced that the album would be called Immortelles, Mes Moires (according to the magazine Voici), Mémoires and Ensemble, rumor had it that the next album would have more techno sonorities (and the first single would be named "The Small World", according to the Belgian newspaper 7 Extra). It was recorded at studios Ocean Way Recording and Record One in Los Angeles, but mixed at Guillaume Tell studio in Paris.
Finally, the album was released on April 7, almost a month after that of the lead single "L'Âme-stram-gram" and was named Innamoramento, in reference to the book by Francesco Alberoni mentioned above. A quote from this author is also cited at the first page of the album's booklet. The photographs, produced by Marino Parisotto Vay, cost about 104,000 euros. The cover shows Farmer dressed in white on top of an open iron cage in the middle of the ocean.
All lyrics were written by Farmer, who also composed the music for five songs. They contain many references to literary writers and painters. The album deals with Farmer's anxieties, such as pain, unhappy love, sexuality and the passage of the time. But as the album's title suggests, love is the central theme of the latter.
The album is slower in comparison to Farmer's previous studio album, the rock-inspired Anamorphosée (1995). The sound is more electronic and intimate.