The Professional National Indian Artists Incorporation, better known as the Indian Group of Seven, was a group of professional First Nations artists from Canada, founded in November 1973.
The group consisted of Daphne Odjig, Alex Janvier, Jackson Beardy, Eddy Cobiness, Norval Morrisseau, Carl Ray and Joseph Sanchez.
In 1972, there was a joint exhibition in Winnipeg of Jackson Beardy, Alex Janvier and Daphne Odjig named "Treaty Numbers 23, 287 and 1171" referring to the Numbered Treaties of their respective bands. It was an exhibition where indigenous modern art was brought in front to the Canadian audience, for artistic recognition.
The successful exhibition was the precursor of the founding of the “Professional Native Indian Artists Association” in November 1973, in which Daphne Odjig was the driving force. At her home in Winnipeg, she invited Alex Janvier, Jackson Beardy, Eddy Cobiness, Norval Morrisseau, Carl Ray and Joseph Sanchez to discuss their mutual concerns about art.
These meetings provided a sense of community among the artists and a forum for criticism of each other's work. In November 1973 they proposed to formalise their movement as ithe "Professional Native Indian Artists Incorporation" (PNIAI), to be funded by the Department of Indian Affairs. PNIAI was incorporated in February 1974 by all seven members. Haida artist Bill Reid, although not formally signing on at the time, was considered the eighth member and participated in some of the groups shows.