"In the Air Tonight" is the debut single by English singer-songwriter/drummer Phil Collins. It was released as the lead single from Collins' debut solo album, Face Value, in January 1981.

Collins co-produced the single with Hugh Padgham, who became a frequent collaborator in the following years. The song was an instant hit, quickly climbing to No. 2 on the UK Singles chart being held off the top spot by John Lennon's Woman . It was also an international hit, peaking at No. 19 on the Billboard Hot 100 in the United States and No. 1 in the Netherlands. It was later certified Gold by the RIAA, representing 500,000 copies sold. The song's music video, directed by Stuart Orme, received heavy play on MTV when the new cable music video channel launched in August 1981. It remains one of Collins' best-known hits, often cited as his signature song, and is especially famous for his drum break towards the end, which has been described as "the sleekest, most melodramatic drum break in history".

Collins wrote the song amid the grief he felt after divorcing his first wife, Andrea, in 1979. In a 2016 interview, Collins said of the song's lyrics: "I wrote the lyrics spontaneously. I'm not quite sure what the song is about, but there's a lot of anger, a lot of despair and a lot of frustration." In a 1997 BBC Radio 2 documentary, the singer revealed that the divorce contributed to his 1979 hiatus from Genesis until the band regrouped in October of that year to record the album Duke.

The lyrics of the song take the form of a dark monologue directed towards an unnamed person:

The recording is notable for its atmospheric production and macabre theme. It has been described as being "at the vanguard of experimental pop" in 1981 and "a rock oddity classic", having been influenced by "the unconventional studio predilections of Brian Eno and Peter Gabriel". Musically, the song consists of a series of ominous chords played by a Sequential Circuits Prophet-5 over a simple drum machine pattern (the Roland CR-78 Disco-2 pattern, plus some programming); processed electric guitar sounds and vocoded vocals, an effect which is increased on key words to add additional atmosphere. The mood is one of restrained anger until the final chorus when an explosive burst of drums releases the musical tension, and the instrumentation builds to a thundering final chorus.

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