Imero Fiorentino | |
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![]() Imero Fiorentino
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Born | July 12, 1928 Brooklyn, New York |
Died | October 1, 2013 New York City, New York, U.S. |
(aged 85)
Known for | Lighting designer and consultant, television lighting |
Imero (Immie) Fiorentino (July 12, 1928 – October 1, 2013) was an American lighting designer, considered one of the most respected pioneers and leaders in the American entertainment industry. Beginning his career as a lighting designer in the Golden Age of Television, he designed productions for such celebrated series as Omnibus, U.S. Steel Hour, Pulitzer Prize Playhouse and Kraft Television Theatre. Fiorentino's expertise was often called upon by industry professionals throughout the world to consult on the planning and development of major productions, exhibits, museums and architectural projects; from the Republican National Convention and Democratic National Convention and numerous United States presidential election debates, major concert tours and television specials to the environmental lighting for Epcot’s World Showcase at Walt Disney World. His consulting work on major corporate events with clients included: Anheuser-Busch,Michelin, Electrolux, American Express and Xerox.
Fiorentino was born in Brooklyn, New York, the son of Sicilian parents Margaret Viola (a doll dress maker who later worked for a real estate agency) and Dominick Fiorentino (an artist who painted the faces on the Dy-Dee Dolls), who met in New York. As a young boy, he enjoyed trips to Radio City Music Hall with his uncle as he became more and more fascinated with theatre, especially lighting and set design. He turned to books to learn everything he could on the art. In junior high school and later at Lafayette High School in Brooklyn, he joined the stage squad and did the lighting and set design for plays. In high school he was encouraged by a wonderful teacher, Florence Druss, who understood immediately his aptitude for lighting design and encouraged him to pursue it as a career and to go on to college. In his junior year, his life’s plan was mapped out for him and he was accepted to Carnegie Tech, now Carnegie Mellon University. One year before graduating, there was a horrible accident and he lost one eye. He knew his great plans were in shambles because without depth perception, he thought it would be impossible to design lighting. However, his teacher and mentor came to the hospital and told him that no one would know he only had one eye, and he “would still be the best lighting designer ever.” The teacher saw the course the young man needed to be on, and convinced him to continue with his plans. With great sacrifice from his family, Fiorentino attended Carnegie Tech majoring in theatre.