Igor Buketoff (29 May 1915 – 7 September 2001) was an American conductor, arranger and teacher. He had a special affinity with Russian music and with Sergei Rachmaninoff in particular. He also strongly promoted British contemporary music, and new music in general.
Buketoff was born in Hartford, Connecticut, the son of a Russian Orthodox priest. He liked to refer to himself as "the last active conductor with pre-Revolutionary blood in his veins". His father knew Sergei Rachmaninoff and had been asked by the composer to assemble the choir for the 1927 world premiere of his Three Russian Folk Songs, Op. 41, using the basso profundos among the Orthodox clergy. Igor attended the rehearsals for the premiere and was told by his father that the conductor, Leopold Stokowski, had his own ideas about the tempo for the final song and refused to obey Rachmaninoff's wishes.
His education was at the University of Kansas 1931-32, the Juilliard School in New York 1935-41, and the Los Angeles Conservatory of Music. He taught at the Conservatory, and at Juilliard 1935-45. He directed the choral departments at Juilliard and Adelphi College.
At Juilliard he programmed Rachmaninoff's Three Russian Folk Songs, and remembering what had happened with the 1927 premiere, he consulted the composer about the tempo to be used in the final song. He also recorded the work commercially. In 1940 he contributed a scholarly article on Russian chant to Gustave Reese's Music in the Middle Ages.
From 1941 to 1947 he was Music Director of the Chautauqua Opera Association and taught at Columbia University 1941-47. In 1941 he won the first Ditson Conductor's Award. In the early part of his career he conducted a range of orchestras in the United States, which included the New York Philharmonic in the Young People's Concerts 1948-53, the Philadelphia Orchestra, and the Fort Wayne Philharmonic Orchestra 1948-66. He taught at Butler University 1953-63 and was later associated with the Festival of Neglected Romantic Music held there.