Ieri, oggi, domani
| Yesterday, Today and Tomorrow | |
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original movie poster
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| Directed by | Vittorio De Sica |
| Produced by |
Carlo Ponti Joseph E. Levine |
| Written by |
Bella Billa Eduardo De Filippo Alberto Moravia Isabella Quarantotti Cesare Zavattini |
| Starring |
Sophia Loren Marcello Mastroianni |
| Music by | Armando Trovajoli |
| Cinematography | Giuseppe Rotunno |
| Edited by | Adriana Novelli |
| Distributed by | Embassy Pictures Corporation |
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Release date
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Running time
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118 minutes |
| Country | Italy |
| Language | Italian |
| Box office | $4.1 million (US/Canada) (rentals) |
Yesterday, Today, and Tomorrow (Italian: Ieri, oggi, domani) is a 1963 comedy anthology film by Italian director Vittorio de Sica. It stars Sophia Loren and Marcello Mastroianni. The film consists of three short stories about couples in different parts of Italy. The film won the Academy Award for Best Foreign Language Film at the 37th Academy Awards.
Set starting in the poorer Naples of 1954, Adelina (Loren) supports her unemployed husband Carmine (Mastroianni) and child by selling black market cigarettes. When she doesn't pay a fine, her furniture is to be repossessed. However her neighbors assist her by hiding the furniture. A lawyer who lives in the neighborhood advises Carmine that as the fine and furniture is in Adelina's name, she will be imprisoned. However, Italian law stipulates that women cannot be imprisoned when pregnant or within six months after a pregnancy. As a result, Adelina schemes to purposely stay pregnant. After seven children in eight years, Carmine is seriously exhausted and Adelina must make the choice of being impregnated by their mutual friend Pasquale (Aldo Giuffrè) or be incarcerated.
She finally chooses to be incarcerated, and the whole neighborhood gathers money to free her and petition for her pardon, which finally comes and she is reunited with her husband Carmine and the children.
Anna (Loren dressed by Christian Dior), the wife of a mega-rich industrialist, has a lover named Renzo (Mastroianni). Whilst driving together in her husband's Rolls-Royce, Anna must determine which is the most important to her happiness – Renzo or the Rolls. Renzo rethinks his infatuation with Anna when she expresses no concern when they nearly run over a child, and end up crashing the Rolls-Royce.
She is infuriated by the damage to her Rolls-Royce, and ends up getting another passing driver to take her home, leaving Renzo on the road.
Mara (Loren) works as a prostitute from her apartment, servicing a variety of high class clients including Augusto (Mastroianni), the wealthy, powerful and neurotic son of a Bologna industrialist.
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Wikipedia