Ibn Hauqal

Ibn Hawqal
Born	Nisibis
Died	ca. 978
Residence	Islamic civilization
Academic background
School or tradition	Balkhi school
Influences	Al-Balkhi
Academic work
Era	Islamic Golden Age
Main interests	Islamic geography
Notable works	Ṣūrat al-’Arḍ

Muḥammad Abū’l-Qāsim Ibn Ḥawqal (Arabic: محمد أبو القاسم بن حوقل‎‎, born in Nisibis, Upper Mesopotamia; travelled 943-969 CE) was a 10th-century Muslim Arab writer, geographer, and chronicler. His famous work, written in 977, is called Ṣūrat al-’Arḍ (صورة الارض; "The face of the Earth"). The date of his death is not precisely known. On the basis of his writings, he died after 368 H / 978 C.E.

What little is known of his life is extrapolated from his book, which was a revision and extension of the Masālik ul-Mamālik of Istakhri (951). That itself was a revised edition of the Ṣuwar al-aqālīm of Ahmed ibn Sahl al-Balkhi, who wrote about 921.

Ibn Hawqal was clearly more than an editor; he was a traveler who spent much of his time writing about the areas and things he had seen. He spent the last 30 years of his life traveling to remote parts of Asia and Africa. One of his travels brought him 20° south of the equator along the East African coast. One of the things he noticed was that there were large numbers of people living in areas that the Greeks, working from logic rather than experience, said must be uninhabitable.

His descriptions were, at the time, considered to be accurate and very helpful to travellers. Ṣūrat al-’Arḍ included a detailed description of Muslim-held Spain and particularly Sicily. Ibn Hawqal recorded that the area of Fraxinet (La Garde-Freinet) was richly cultivated by its Muslim inhabitants, and they have been credited with a number of agricultural and fishing innovations for the region. The difficulty with using Ibn Hawqal as a primary source is that he writes in the 'roots and realms' genre, and there are instances of 10th century humour in his account of Sicily during the Kalbid-Fatimid dynasty. In doing this he frequently exaggerates; he depicts the Christian population of Palermo as being uncivilised and barbaric.

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