Ian Scott | |
---|---|
Born |
Ian Christopher Scott 20 April 1945 Bradford, England |
Died | 27 June 2013 Auckland, New Zealand |
(aged 68)
Nationality | New Zealander |
Education | Elam School of Fine Arts, Auckland |
Known for | Painting |
Movement | Realism, Pop Art, Modernism, Post-Modernism |
Spouse(s) | Nan Corson |
Awards | Fowlds Memorial Prize 1967, Benson and Hedges Art Award 1968, Manawatu Art Prize 1969-70 |
Website | www |
Ian Christopher Scott (20 April 1945 – 27 June 2013) was a New Zealand painter. From the late 1960s, his work was significant for pursuing an international scope and vision within a local context previously dominated by regionalist and national concerns. Over the course of his career he consistently sought to push his work towards new possibilities for painting, in the process moving between abstraction and representation, and using controversial themes and approaches, while maintaining a highly personal and recognisable style. His work spans a wide range of concerns including the New Zealand landscape (especially West Auckland), popular imagery (particularly the representation of the female figure), appropriation and art historical references. Scott's paintings are distinctive for their intensity of colour and light. His approach to painting is aligned with the modernist tradition, responding to the formal standards set by the American painters Morris Louis, Kenneth Noland and Jules Olitski.
Ian Scott was born in Bradford, England on 20 April 1945, the oldest of five sons. His family initially lived in the village of Baildon on the Yorkshire Moors near Bradford.In 1952, when Scott was seven, his parents, Barbara (Cox) and John Scott, moved the family to Auckland, New Zealand, seeking a life that offered more opportunity than the severe world of post-World War Two England.
Scott's early interest in art, before moving to New Zealand, was fostered by his maternal grandfather, Ernest Cox, an amateur watercolourist. Scott would make sketches as he accompanied his grandfather on painting trips around the moors. In Auckland, he painted landscapes in both oils and watercolour of Sunnyvale, the Waitakere Ranges and the West Coast and, when he attended Kelston Boys' High School, took art classes with the prominent New Zealand painter Garth Tapper and Rex Head, a regular entrant in the Kelliher Art Award for landscape painting. In 1963 Scott attended evening classes run by Colin McCahon at the Auckland Art Gallery. In 1964 he began studies at the University of Auckland's Elam School of Fine Arts, and in 1965 his tutors there included Tapper and McCahon. Scott up a friendship with fellow student Richard Killeen, and during his time at art school also met Michael Dunn, who became an important historian of New Zealand art, and Petar Vuletic, a controversial critic and later art dealer. Scott completed his Diploma in Fine Arts with Honours in 1967, and was awarded the Fowlds Memorial Prize. The following year he began training as a Secondary School teacher at Auckland Teachers' Training College.