Ian McDonald (author)
| Ian McDonald | |
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| Born | 1960 (age 56–57) Manchester, England, United Kingdom |
| Occupation | Novelist |
| Nationality | Scottish and Irish |
| Genre | Science fiction |
| Website | |
| ianmcdonald |
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Ian McDonald (born 1960) is a British science fiction novelist, living in Belfast. His themes include nanotechnology, postcyberpunk settings, and the impact of rapid social and technological change on non-Western societies.
Ian McDonald was born in 1960, in Manchester, to a Scottish father and Irish mother. He moved to Belfast when he was five and has lived there ever since. He lived through the whole of the 'Troubles' (1968–99), and his sensibility has been permanently shaped by coming to understand Northern Ireland as a post-colonial society imposed on an older culture. He became a fan of SF from childhood TV, and began writing when he was 9.
McDonald sold his first story to a local Belfast magazine when he was 22, and in 1987 became a full-time writer. He has also worked in TV consultancy within Northern Ireland, contributing scripts to the Northern Irish Sesame Workshop production of Sesame Tree.
McDonald's debut novel was Desolation Road (1988), which takes place on a far future Mars in a town that develops around an oasis in the terraformed Martian desert. He published a sequel, Ares Express, in 2001.
Published between 1995 and 2000, the novels Chaga (US title Evolution's Shore) and Kirinya, with the novella Tendeléo's Story, form the 'Chaga Saga', which is particularly notable for its analysis of the AIDS crisis in Africa. The protagonist is Ulster journalist Gaby McAslin, whose outsider's eye both observes the African landscape and sees what the "UN quarantine zone" is doing to Kenya and Kenyans. Gaby's story, with that of her daughter, continues in Kirinya. Tendeléo's Story is seen through the eyes of a young Kenyan girl who escapes to the UK, only to be deported back to Kenya as an unwanted alien.
The image of the unstoppable wave of transformation was nicked from [1982 Star Trek movie] The Wrath of Khan: it's the Genesis device, slowed down, and once I had that, it became a rich source of metaphors: for colonialism, new technology, globalisation, change, death. If the Chaga is colonialism, it's a unique kind that allows the people of the poor South to use and transform it to meet their needs and empower themselves: it's a symbiosis.
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Wikipedia