I Want You (Marvin Gaye album)
| I Want You | ||||
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| Studio album by Marvin Gaye | ||||
| Released | March 16, 1976 | |||
| Recorded | 1975–76 | |||
| Studio | Marvin's Room and Hitsville West in Los Angeles | |||
| Genre | Soul, funk, quiet storm, jazz-funk | |||
| Length | 37:43 | |||
| Label | Tamla | |||
| Producer | Marvin Gaye, Leon Ware, Arthur "T-Boy" Ross | |||
| Marvin Gaye chronology | ||||
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| Singles from I Want You | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| Chicago Tribune |  |
| Q | |
| The Rolling Stone Album Guide | |
| Sounds | |
| Uncut | |
| The Village Voice | C+ |
I Want You is the fourteenth studio album by American soul musician Marvin Gaye, released March 16, 1976, on Motown-subsidiary label Tamla Records. Recording sessions for the album took place throughout 1975 and 1976 at Motown Recording Studios, also known as Hitsville West, and Gaye's personal studio Marvin's Room in Los Angeles, California. The album has often been noted by critics for producer Leon Ware's exotic, low-key production and the erotic, sexual themes in his and Gaye's songwriting. The album's cover artwork adapts neo-mannerist artist Ernie Barnes's famous painting The Sugar Shack (1971).
I Want You consisted of Gaye's first recorded studio material since his highly successful and well-received album Let's Get It On (1973). While it marked a change in musical direction for Gaye, departing from his trademark Motown and doo-wop-influenced sound for funky, light-disco soul, the album maintained and expanded on his previous work's sexual themes. Following a mixed response from critics at the time of its release, I Want You has earned retrospective recognition from writers and music critics as one of Gaye's most controversial works and influential to such musical styles as disco, quiet storm, R&B, and neo soul.
By 1975, Marvin Gaye had come off of the commercial and critical success of his landmark studio album Let's Get It On (1973), its successful supporting tour following the album's release, and Diana & Marvin (1973), a duet project with Diana Ross. However, similar to the conception and recording of Let's Get It On, Gaye had struggled to come up with an album as an appropriate follow-up. And much like Let's Get It On Gaye reached for outside help, this time seeking the assistance of Leon Ware, a singer and songwriter who had found previous success writing hits for fellow Motown alum, including pop singer Michael Jackson and the rhythm and blues group The Miracles. Ware had been working on songs for his own album which he would later issue under the title Musical Massage, a collection of erotic singles Ware had composed with a variety of writers, including Jacqueline Hillard and Arthur "T-Boy" Ross, brother of Diana Ross. When Motown CEO Berry Gordy paid a visit to Ware, the songwriter was more than happy to play Gordy his selection of tracks. After hearing a preliminary mix of the songs however, Gordy figured that Ware should let Gaye handle his material.
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