I Remember Clifford (album)
| I Remember Clifford | ||||
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| Studio album by Arturo Sandoval | ||||
| Released | March 1992 | |||
| Studio | Sound on Sound, New York City | |||
| Genre | Be-bop jazz | |||
| Length | 61:51 | |||
| Label | GRP Records | |||
| Producer | See article | |||
| Arturo Sandoval chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Down Beat |
  Very Good Plus (6/92, p.35)
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| Allmusic |
link
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| Vox | "8 Excellent" (12/92, p.97) |
I Remember Clifford is a 1992 album by Arturo Sandoval, the second album he made after leaving his native Cuba.
The entire album is a tribute to Clifford Brown, who was a great influence on Sandoval; Brown was an influential, highly rated and much-loved jazz trumpeter who died in an auto accident in 1956, when he was only 25 years old.
The album is named for Clifford Brown, who was killed on June 26, 1956 in a car accident which also killed pianist Richie Powell, the younger brother of Bud Powell.
Sandoval's written tribute to Brown in the liner notes for the album ends:
The album is named after the composition "I Remember Clifford", a threnody by Benny Golson, which was also written in memory of Brown.
In addition to an especially poignant rendition of the Golson piece (using only a trumpet and piano - a pointed tribute to the two musicians who died together), the album contains a long list of Brown's best-known standards (some composed by Brown himself). One final inclusion is a new composition, "I Left This Space for You", written by Sandoval in tribute, in which Sandoval plays only a restrained melody, leaving "this space for him" (in Sandoval's words).
One very unusual feature, heard on five of the tracks, is the use of overdubbing to create a trumpet 'choir' of four harmonized trumpets, all played by Sandoval (a concept credited to Orlando 'Papito' Hernández, who had experience with multiple trumpets from his time playing with Herb Alpert). The 'choir' is used to play arrangements of some of Brown's own brilliant solos; the different trumpet lines are so closely synchronized it is hard to believe they were not reproduced electronically. Sandoval's own playing features in his own solos, especially on "Cherokee", which he takes at a faster pace than Brown's own rapid original.
The album received two nominations in the 1992 Grammy Awards ('Best Jazz Instrumental Performance - Individual or Group', and 'Best Arrangement on an Instrumental', for "Cherokee"). It was picked by critic Leonard Feather as one of the ten best jazz albums of 1992.
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